신석정 시의 문체 연구 -‘푸르다’와 ‘멀다’를 중심으로

Abstract

Shin Suk-jung is one of the poets who have made an effort to explorer the poetic beauty of our pure Korean language. We could infer that his intention is covered in the repetition of specific poetic dictions as he chooses. This thesis scopes out the peculiarities and transitional aspects in all of Shin Suk-jung's poetry quantitatively based on the poetic words that the previous studies described significantly. Two poetic words, ‘far image' and 'green image' are selected as experimental materials. These are symbols of utopian and natural consciousness that have come to an agreement by all the researchers going deep into the poetry of Shin Suk-jung. With this research findings, internal significance in the same poetic words had been changed in his poetics. In addition to, it has come out into the open that 'far image' and 'green image' have an mutual complementary interrelationships. The modern history of Korea had effects on the periodical frequencies and changing significances of his poetic words. It is a achievement to have investigated the changing process of his poetic consciousness in identical poetic words as a poet had written. It was for his activity-oriented attitude that Shin Suk-jung had regarded 'far image' as something to designate Utopia. A romanticist usually makes it through the challenging life with his eye gazing into the distant goal. He tried to realize it in the real world so far from dreaming Utopia. Ordinary things could have their beings in Utopia as they should be precious. 'Green image' insinuates one's practical methodology for it. Utopia like a mountain or a sky is far from here. However, Utopia's 'green' color can be modeled in our real life. Shin Suk-jung holds on to his poetic consciousness-living on aiming for Utopia at all times by being alive to construe his 'green image' as a look of practical ethics.