동북아시아 영화콘텐츠에 나타난 디아스포라 연구 - 한국의 지명을 제목으로 한 장률의 영화를 중심으로

Abstract

In Northeast Asia, the Korona 19 is blocking its borders and strengthening its power. Diaspora, which is not within the scope of the 'people' at this time, is at risk. Sharing movie content based on diaspora in the age of fendemics means shedding light on their unexposed lives. This study examines Diaspora, which appears in various forms in Northeast Asian film content. Director Jang Ryul is producing Diaspora, which is scattered in Northeast Asia, in China, Mongolia, Korea and Japan. Among many of his film contents that can be identified by Diaspora, this study has set the scope of his research on "Iri," "Gyeongju," and "Gunsan: Singing Gyeongju," which are the titles of Korea's geographical names. This is because he believed that he, who has an identity in Korea and has a Chinese nationality, would be drawing Korean diaspora from the inside and outside. In this study, we were able to identify a comprehensive concept of diaspora in three movie contents by applying Seobalton, Stranger, Space and Place, respectively, to <Iri>, <Gyeongju> and <Gunsan: Singing Gyeongju> Of course, there is a limit to dealing only with Korean film content within the large category of Northeast Asia. However, based on the results of the study, Zhang Lu film content is expected to identify the Diaspora in Northeast Asia, which is titled “The Name.”