이상 시의 상호텍스트성 연구 - 「오감도 시제1호」의 시적 계보를 중심으로

Abstract

This paper has considered how the poetry of Yi Sang as the most 'problematic' poet in Korean modern poetic history has operated as a poetic matter on the poets after him. Generally speaking, the inter-textuality among poetic texts has revealed itself as diverse and massive patterns. By focusing a discussion on Yi Sang's "A Crow's-eye-view Poem Number One" which has been a typical poem to show intensively features of his poetry, this paper has illuminated patterns of its inter-textuality to make a historical genealogy of his poetry. This method has allowed to trace a poetic genealogy from Youn Dong-joo in 1940s, Kim Soo-young, Kim Chun-soo in 1950~60s, and Hwang Chi-woo, O Gyu-won, Kim Hye-soon, Haam Min-bock, Yi Seung-hoon, Kim Seung-hee in 1970~80s to Park Sang-soon, Yi Soo-myong, Yi Won, Haam Ki-seock, Seong Kwi-soo in and after 1990s. These poets have been surely the avant-garde as pioneers who have scudded tremendously for the modern poetic freshness, openness, and originality to be condensed into the 'experimentation' and 'deconstruction.' Consequently, this paper has acquired a meaning of poetic examination of the possibilities that the poetry of Yi Sang will also have its inter-textuality in 21th century.