이상과 김수영 시에 나타난 반복의 상반된 의미

Abstract

This article is about poems with repeating specific elements which form rhythms written by Kim Soo-Young and Yi Sang, respectively. As repetitions in these poems are not convergent in the message, it contributes to secure autonomy of language itself. These poems have simple forms and ambiguous meanings. But originality and age of each poet had directly-opposed meanings in their respective poems. Yi Sang suggested necessity and universality of scientific world to his poems, trying to stimulate retarded situation of Joseon at that time. Repetitions in earlier poems before a series of Ogamdo and Cliff, omitting the actual conditions and showing a complete world. However, there were sighs of who cannot escape the reality in his poems. Even though he tried to suggest a world of logic and necessity but he experienced to be most defeated because of it. Repetitions in Kim Soo-Young’s poems, unlike Yi Sang’s poems which succeeded originality of early poems, appear in his late works. Dispair, Petal 2 and Grass have simple forms but show beings of different time and world at the same time. Like repeating to visualize intervention of coincidence, poetic words are repeated. And then, these poems conflict with those attached to daily lives written by the same poet. His trusted coincidence was generated based on daily lives.