'근대화된 민요시'와 세계조선시인의 탄생ㅡ김소월의 시 세계를 중심으로

Abstract

Modernized Folk song poem and birth of a world Cho-seon poet -To the center of World Poems by So-Wel Kim Hong, yong-hee So-Wel Kim is one of the poets who contributes to complete a form of modern poems by showing his own style while keeping inherited traditional assets and accepting foreign aspects of Western throughout the era of dramatical chances in early modern society. His poems have both traditional Cho-seon poetic styles and Cho-seon folk song styles. In addition to that, He was inspired by Arthur Symons and other French symbolists or Targore so he changed their poetic styles into his own poetic assets and own writing method. ‘Modernized folk song poem as well as free verse’, a title given by Euk-kim for So-Wel Kim well explains his poetic features. So-Wel Kim already represented, in early modern society, the poetic feature of the modern free-verse as a world Cho-seon poet. This discussion is motivated to check the procedure to have let our morden free-verse completed, overcoming the bias that So-Whel Kim was the lyric poet with folk song-style as a result of the poetic seeking from 1900’s to 1910’s. Also, Creative harmony between Cho-seon traditions and western styles is a process of seeking non-identical discussion which do not assimilate into the strategy of making colony people in the national crisis of the colonial era. Therefore, the birth of the world Cho-seon poet has had a meaning of an expression of the Cho-seon’s language with a liberty and its individuality from the restriction in modern colonial era. Keword: External effect, internal tradition, Arthur Symons, Tagore, Euk-Kim, folk song, modern free verse, world-Cho-seon-Korean