김지하 시편의 '성과 속' 의식

Abstract

This article is about exploring the adult and the inner of Kim Jiha (1941-) psalm, a pioneer of democratization movement and popular thought in the history of contemporary literature in Korea in the 70s and 80s. The focus of this paper is that Kim Jiha psalm is fundamentally inherent the adult and the inner and has a religious meaning. Religious meaning can be regarded as a "phenomenological language" in which the sacred world is exposed to the "Phenomenology of Religion" experienced by the poetic subject. Phenomenologically, the language of Kim Jiha can be read as ‘verbal reduction’ of ‘the adult and the inner’ in a way that the experience and intuition of a poet are exchanged in poem in the existential world. The psalm to be examined shows that sacred and secular things are integrated and appear in conflict. It means that the sacred and secular things, or the secular things, appear as a sacred thing in a unified way, and the results do not differentiate and appear in a dualized manner. Displayed in his psalm In short, if you grasp the age of oppression, exploitation and chaos of the 70's and 80's as vulgar, the historical recognition that Kim Jiha was eager for was in the language blamed with his piece. I would like to clarify the fact that it is being demonstrated by using the "religious form" and "the adult and the inner" of Eliade. Kim Jiha has presented a critical consciousness of the realities of society regarding the modern Yushin military dictatorship, the chaebol, and the privileged class to the "avant-garde literary aesthetics" and historical discourse about people and democracy. There is a lot of debate about it, where life, environment, nature, etc. are intensively infiltrated and changed in his psalm, and from the viewpoint of three general consciousness, life and ecology, ethnicity and people's consciousness, religious eastern thought can be mentioned. Most of the views of Kim Jiha’s research centered on life thought are overcoming the real world by grasping the poetic discourse that breaks through the 70s and 80s. His poetry drives the people's consciousness of history, people, and times, but the rituals of life and death are revived and revived through coexistence and solidarity in contradiction and paradox. The fact that Kim Jiha's consciousness of life is projected on the poem world as a whole is expressed as an ecological imagination, which is united with the eastern thought from the religious side. In the so-called poem of Kim Jiha life-ism, it shows the permanence of solidarity in confrontation and confrontation beyond the material dimension of criticizing and criticizing life and environmental problems. Thus, in his poetry of the 70's and 80's, he was extended to the ecological problem of “life, environment, nature” in the era discourse of “ethnicity, people, democracy”, and he wrote life attention literature, people's consciousness, and religious achievements. The reason why he was able to expand the horizon to such consciousness is that the secular reality of the city finally represents the existence of sacredness. In essence, the root of his poetry, which is essentially expanded to religious ceremonies, is that the "experience of sacredness" in religious studies is carried in a “symbolic language.”