이상 시에 나타난 시선 주체의 익명성

Abstract

As related with modernity of Lee Sang literature, this paper is trying to refer the problem of poetic subject in his poetry. Especially, as focusing on the problem of 'sightline subject', it is trying to restructure the problem of modernity and esthetic modernity in esthetic singularity of his literature. His poetry shows the problem 'becoming a sightline subject', in the respect of division and anonymity of sightline subject, and 'existing from the sightline' at the same time. In his poetry, the relationship between subject and object can be changed, share their places each other and suggest other sightline of other subject behind their places. In this situation, sightline subject of his poetry can't stand at the transcendental position about object and subject, so that it can't also gain the self-identity as a consistent personality. Likewise, because it isn't possible to name the signtline subject and get the personal identity, it can be called as 'anonymity of sightline subject.'In Lee Sang poetry, 'mirror' isn't the basis of misunderstanding of subject, which could gain the self-identity, but it is the parameter of self-disharmony and self-division. In this mirror, his poetry shows the situation seeing object in subject, not seeing subject in object. There, it exposes the fact, mirror shows the sightline of others actually, not one’s self. In his poetry, images on the parts of damaged body deny the subject concept to gain the body as a organization. In this, the movement of sightline, seeing the damaged body as partial object, separates the identity of sightline subject based in the good organic body. In his poetry the seeing point of self-division of this sightline subject is the poetic adventure breaking out the basis of establishing the modern sightline subject. As reconsidering the modern sightline system, his poetry shows how esthetic subject in the colonial era could exit from the position of self-identity and transcendental subject. It is the political thing in respect of cracked saying to free modern subject in colony from social and ideological illusive place. And it can be also condition of esthetic modernity as strong critical saying on the modernity at the same time.