이상 시의 환각 이미지 연구 －「詩第十一號」·「詩第十三號」·「沈歿」에 대한 주석

Abstract

This article is a trial for understanding the poetic image of the hallucination in a some poems of LeeSang. In spite of a lot of studying on the poems of LeeSang, the poetic image of the hallucination in the poems of him has not yet been properly investigated. The hallucination in the psychoanalysis is different from the phantasy. The phantasy covers up the lack of the subject and the Other. That is the screen which protects the crack of ‘the Symbol’. The subject learns the desire and is made up the whole in the phantasy. It is connected with the imagination. But the hallucination does not know the dialectic of the subject-the other and taboo in‘ the Symbol’. It belongs to ‘the Real’. The subject do not regulates that. The poetic image of the hallucination in the poems of LeeSang is represented by a self-regulation and cut(cutting) body against the subject as the whole of the consciousness. This image is the poetic symptom which show us the subject as the One that can not be composed. And it show us how to do totality with failures. In the poems of LeeSang, the poetic subject always fails in the One. It is closely related with the subject in the psychoanalysis. With Lacan, it is not enough to say the subject’s identity is all the way constitutively truncated, dispersed because of the intrusion of an irreducible outside. The point is rather that the subject is nothing but the name for this multilation, for this impossibility of the substance to realise itself fully, to achieve its full identity with itself. And in Lacanian theory,this irreducible outside, this foreign body, this intruder that prevents the full constitution of the subject and to which subject is strictly correlative, has precise name. In its very ontological (non)status, the subject is the negative of the strange body which prevents substance from achieving identity with itself. In addition to, the subject of the poems of him face up to his split body. In spite of his extream fear, he gazes his trauma. With Lacan or Zizek, this gaze means that the subject identifies himself not with phantasy but with symptom. They say that it is“ crossing the phantasy”. These poetic images are related to a specific character of the poetic irony in the poems of LeeSang. The irony in the modern poetry is a mark of the split of the World;namely “the ontological lack”. Finally, we can relate the spilt of the subject in his poems with that. This study minutely analyzes his some poems with this new angle.