해방기 시의 세대론

Abstract

Until now, the frame within which researchers have viewed poems of the liberation period relied upon the distinct structure of confrontation between the left and the right. The hostile competition in ideology, politics and media between groups with Korean Writer's Alliance in center and groups Young Writers' Association in center was the frame reproduced by extending the confrontation of the left and the right of the colonial period just as it was. Now, it is necessary to examine the triangular route in which orientation toward pure lyricism–realism–modernism has taken totally different aspects being connected to continuity or discontinuity from the colonial period rather than the frame of explanation endless reproducing the structure of confrontation of the left and the right. Generation discussion in the liberation period of each groups of pure lyricism, realism and modernism develops as follows. The flow of pure lyricism is achieved through the process of erasing Chong, Ji–yong or Kim, Young–rang between Cheongnokjip and Simunhak or put Cheongnokpa in front. The flow of realism forms a dislocation of new generation from the old generation who witnessed the publication of Avant-garde Anthology with joy and sorrow and then around national division, is being completely wiped out. The flow of modernism is appeared as taking conservative aesthetics when the combination of various people at the time of Sinsiron rapidly experiences the process of aesthetic scale-down with sense and experiment on language in the second volume of Sinsiron. With this peculiar generation discussion of each literary flow, pure lyricism is excessively imprinted as the legitimate child of Korean literature, realism is easily forgotten as the rebellious literature, modernism goes through the process of modification in which it becomes the mainstream as the form with the aesthetic possibility being reduced in the history of Korean poetry.