이태극 초기시조 연구

Abstract

In this article, It examined that the sijo of Lee Taegeuk (1913-2003) was essentially an existential consciousness between nationalist historical views, classical sense of community, and traditional awareness of reality in his early poetry collection. Lee Taegeuk is a leading Korean literature scholar of the 1950s and, as an ancestral poet, the person who opened the second sijo reconstruction of "stability of the modern sijo form". In the 1910s, during the fetal movement of the modern sijo and before and after the liberation After the pioneering era of the modern sijo, Lee Taegeuk pursued the goals of ethnic education and traditional obviousness as an unprecedented sijo literature. He also defended the sijo as the only language of the nation and revived the modern sijo through classical aesthetics and formalism. The poetry world that Lee Taegeuk emphasized independently is defined as a culmination of rough "ethnicity," "classical," and "tradition." In this way, Lee Taegeuk can be regarded as the "intelligent design" of the modern sijo in that it tried to restore the historical community and advance to the century with an existing subjectivity. It can be said that nature's longing and nature-friendly thinking were in charge of the axis from the sijo consciousness of Lee Taegeuk. This is a phenomenon that appears prominently in his early sijo, discovering the essence of humans and the world from nature, life and the world, and trying to realize their existence. Here, the essence is to formalize something with the subjective uniqueness that makes it. In this way, through formal aesthetics, I tried to reveal the existential existence that is largely different from possessions in Eastern thought. It is the existential interest of the people, classics and traditions he has pursued, which seems to have been inspired by his sijo. Along with this, the early sijo of Lee taegeuk can be embodied in historicism, community consciousness, and reality awareness along with the literary forms that make up the form and content. In this way, searching for the early ancestors of Lee Taegeuk, who established the ancestral formal aesthetics, is of historical significance to the sijo. The early sijo of Lee Taegeuk can be seen as the sijo included in "Women with Flowers", this collection of poems is dominated by the sijo created in the 1950s and 1960s. Investigating his poetry world and character, centered on his early poems, is different from the beginning of the mid and late eras. It can be said that it is significant in that it becomes a starting point for examining the principles and movements of poetry consciousness. This paper attempted to discover the poetic world he was trying to reach by examining the consciousness of the sijo, such as history, community, and reality awareness, which appeared in the early sijo of Lee Taegeuk, in an ontological way in the same way as a research method. The poetry consciousness of his early sijo can be divided into three types: first historicism and nature, second community consciousness and life, and third reality awareness and world. He also considered his early specimens using "Being and Time" by Martin Heidegger (1889-1976). In this way, Forming his sijo, Heidegger's advocacy of the historical composition of the present existence, the co-organization of the present existence, the composition of the unification of the words of the present existence, etc, was able to grasp the essence of the form and aesthetic consciousness content of Lee Taegeuk’s early sijo as existential subjective consciousness.