현대시조 창작의 지향점과 그 존재 의의

Abstract

First of all, "Modern Sijo" are base on "modernity" and "sijosung". But there is something that we need to consider about it. What we should think is that there is nothing wrong through modernity in "Modern Sijo" but something wrong in "sijosung". Therefore, we have to think more and more about a feature of forms to find out the key that is needed when we solve above problems. And that is we are heading for. We can say like what makes modern poems as itself is the beauty of form that poems have. So, I looked around the features of forms in previous researches, and analyzed "modern poems" into the fact that the beauty of form makes it as itself in various poems from the pioneer day until now. And focusing on "a fixed form of verse", rules of versifications and the emotion of "Modern Sijo", I tried to make foundation stones to understand and analyze "Modern Sijo". The characteristics of "Sijo" are well organized structure that consists of "cho-jang, jung-jang and jong-jang", and the special rules of versification "4-um-bo(tetrame-ter)". Especially, the 3 phases of "ko-si-jo is not only 3 lines "cho-jang, jung-jang" and "jong-jang" but also the logical flowing that is condensed in the phases from "cho-jang"and "jung-jang to finally "jong-jang". Modern people have announced a lot of wonderful poems that have the modern people's philosophies and emotions in the way of "si-jo" from "hyul-juk-ga" written in 1906. However, the result of that tried to escape from "ko-si-jo(classic Sijo)" and tested diversity was not good. Because when it tried to escape from the structure of "Sijo", it got lost the identity of itself between "Sijo" and "Modern Sijo". Nevertheless, it made good points. the first thing was that it draw poets to be able to think freely out of free structure, which caused the field expansion of creating poems. As a result, many modern poets have came into the world. the second was that it made poets describe modern people's emotion that was different from old one easier than before. The eyes of the fact that everything like natural phenomena and the moment of daily life in the world can be used in literary works, that we can see in "Modern Sijo" make us put description of scenery into the poems. When we ignore the form of "ko-si-jo" for the great purpose of popularizing, we must consider the border between "Modern sijo" and "Modern Sijo". It is very important to determine how to reform "sijo"(modifying it in our tastes or keeping the special structure of "sijo"). "Just modify it in our tastes" is not good way at all. I think the best way to keep the beauty of "sijo" is to hold the form of "sijo" that describes all things about poets's emotions, our nature and whatever in just three-lines. I think that is a competition power that makes "sijo" still alive, furthermore, it will make "sijo" the representative of Corean literatures in the world.