쿠마켄고 작품의 일본 전통요소 표현경향

Abstract

Kengo Kuma assumed that the purpose of the architects stands for on the recovery of relationships, which means to recover the relationships of nature, humanities, and social economy within the local area as much as possible. In order to fulfill the purpose, a process of building and erasing an anti-object architect has to be carried out in an invisible way, and this is enabled under a condition that the large substituted as the small, whether it is a line, a face, or a mass. The purpose is satisfied in a way of so-called subdivision; to break down into particles. Observing the object-the architect-, it is justifiable to roughly divide the phenomenons met the Kengo Kuma's philosophy into classes as follows. First, to apply a number of methods of a louver, a check, or a Chidori as an expression of partitioned face to lighten the enormous face in the external composition. For the second, to divide the mass or the space or to reclaim a part in an aim of mass alleviation. The work's ultimate end is to recover the nature relationship of the land using the local material, which at the same time means for the restoration of the local community. Consequently, it is to absorb the whole change in the area. The expression traits have a close connection with Mokosi, De-tour from among Japanese' traditional elements. Likewise, the idea of the expression, which pursues a change is regarded as a sense of Muzokan.