일본건축의 비물질적 표현 특성

Abstract

Examining immaterial expression on traditional high-class architecture and contemporary architecture in Japan, the following conclusions were reached within the scope of this study. 1. Both traditional architecture and contemporary architecture are interpreted as being sublimated into spatial continuity through aspects of material, morphologic and space in general. 2. The ultimate purpose for immaterial expression characteristics in Japanese traditional architect and contemporary architect is on communication with nature or terrain. Those who communicate with are the site which includes the terrain, the hardware element and software element that related with terrain scenery, and these expressions are as an indication of the continuity of time connecting the past and the present. 3. Compared to the characteristics of other contemporary architects, Ando Tadao's works have indication of using immaterial properties as an optical communication with the light and natural scenery of the site in order to regenerate the original scenery. Leaving aside de-placement due to some media expression, it typically represents de-bounding of space that comes from transparency made up of glass materials. Kuma Kengo whose architectures accomplished 'anti-object' cuts the material into small pieces to acquire transparency and de-gravity on the architecture and then to acquire de-bounding that communicate with surrounding environment and finally this actualize a work of a form that does not protrude. In particular, he works with the belief that the materials should be from the site and that the workers should be local as much as possible. Ryue Nishizawa is trying to achieve an architecture that is almost indistinguishable from the site, which is integrated with the topography of the site, for environmental architecture through immaterial expression. Therefore, the morphological expression of materials or buildings is relatively central.