1960년대 서울의 도시성과 사회적 전유의 문제 -박태순의 1960년대 소설을 중심으로-

Abstract

The purpose of this paper is to examine the novels of Park Tae-soon in the 1960's, that the problem of social appropriation occupies a core part. Park Tae-soon’s novel has various appropriations and re-appropriations based on everyday, cultural, political, and spatial contexts in modern city. These are question of appropriation found in the everydayness of petit bourgeois, the problem of wandering consciousness emerging in modern social and cultural appropriation situation, the ambivalent meaning of appropriation in the process of political intimidation and demonstration, expansion of the city and the occurrence of urban refugees in 1960s society and so forth. The results of the interpretation of the urbanity and social appropriation of Seoul in the 1960s are as follows. First, in the dimension of everydayness, the following meaning was derived. It is in the context of generational violence, the 1960s interruption societies armed with bureaucracy and authoritarianism (「The dead body of thought」), urbanity as a result of crime and ethical betrayal and fugitive desire(「A person frozen to death), the existential wandering of youths who are experiencing unseasonable youth in the vagaries of the 1960s(「date」), The problem of poor stability and relationship built on the everydayness of petit bourgeois(「Hot water」, 「White sky」). Second, in the cultural dimension, approached the question of modern appropriation and wandering. The following conclusions were drawn for this purpose; through the symbol of the western- style house, the infamous of the modern, the laxity of modernity project and the degeneracy of Korean modernity(「Room of Seoul」), awareness of petit bourgeois and the impossibility of self- realization based on the idea that the world of the lowest class of people is a modern world(「Take-off」 ), the aspect of society in which the one-dimensional world of economic animals expands in the appropriation space of capital(「Yawning of the goblin」). Third, in the context of political enforcement and appropriation, read the political implications and the reverse of the revolution of the appropriation and re-appropriation in the process of the 4․19 revolution. In the 「Theater of the Fallen」, there is a debate on the legitimacy of the appropriation of the position between the demonstrator, the residents and the soldiers in the space called the ‘Peace-theater’, and how to evaluate the distorted plaza of ruthless intoxication or disorder in the process of demonstration. 「When the donkey cries」 which can be called reminiscences due to the revolution and its failure is described the tragedy of the young people who had fallen into a society that had suffered from dyspepsia since the unfinished revolution of 4․19 and 5․16 Military Coup d'etat. Fourth, the problem of the ranking of the space and the compulsory appropriation due to the expansion of the modern urban space can be seen in the 「Land of become attached on the hill」 and the omnibus novel the「Tree-horse carriage 」. First of all, the 「Land of becoming attached to the hill」 was observed with kaleidoscopic human beings living there in the background of the ‘Oechondong’ which forced refugees who could be called ‘human waste’ and paid attention to the persistent vitality contained in them. In the 「Tree- horse carriage」, ‘Business of rattail’ symbolizes rural degradation based on Seoul-centrism as a technique of satire, and ‘Go to Mt. Pal-Gum’ attention was paid to the process of forming the ‘Oechondong’ of the country as a final human garbage dump or ghetto that even lost the right to engage in the reality of Korea through the structure of the tumble that from rural district to Seoul, from Seoul to Oechondong.