징후로서의 轉向과 형식의 이데올로기: 한설야의 『청춘기』론

Abstract

This thesis wants to reconsider the notion and categorization problem of conversion literature at colonial period through studying Han Sulya’s Cheongchungi by relating to conversion. If ‘conversion’ implies the irreversible change of world view and rupture of rapid consciousness, there is always a considerable change in author’s literature world from that point. Cheongchungi adopted love story style, and it highlighted fantastic aspect such as dream and reverie rather than the fact. The content related with conversion had newly inserted in the process of adaption, and it mention about philosophy of Chestov which was judged based on ideology of conversion literature. It also shows a consciousness of pursuing international solidarity through the medium of the imperial language, the Japanese language. Considering these various characteristics, Cheongchungi does not have a direct relation with conversion in terms of context;however, it is a literature work that shows the symptomatic characteristic of conversion from formal aspect. The characteristic of Cheongchungi becomes more prominent as conversion literature by comparing and reviewing the three versions. It is noticeable by looking into the process of adaption in Cheongchungi that the adaption was made for a way to enhance the conflict relation between imperial Japan and colonial Chosun. But, the conflict relation between Chosun and Japan was not prominently expressed in first book. Above all, Japanese language plays important part in narrative function in first book, and it seemed that Sulya Han was seeking a possibility of international solidarity through Japanese language.