근대시와 주체문학 -19세기 말~1926년의 경우

Abstract

This writing focuses on the position and characteristics of modern literature in the newly published History of Chosun literature(7). In addition, the role of Juche-Munhak(주체문학) involved in rearrangement and ranking of modern literature is also main interest. According to Juche-literature, the value of general modern literature is decided by the implementation of the people, party and class, and enhancement of ‘Minjok Cheil Ideology’(our nation first ideology) also becomes the main standard. However, due to the reason that North Korea didn’t receive the direct guide from the leader and the party for modern literature and even for Proletariat-literature, traditional culture assets broken away from the present status including the reform and the system is maldistributed. Therefore, it focuses on aestheticization of politics that placing revolutionary literature against the Japanese rule made under the Kim Il-sung’s guide to a head of modern literature. The rehabilitation of Choi Nam-sun’s ‘Sinchesi’(신체시), Kim So-wall, Han Young-un, and Jeong Ji-young that were excluded from the history of modern literature follows patriotism, the people’s real life, and the close nativeness, and the standard is presented by Kim Il-sung’s instruction and Kim Jeong-il’s Juche Munhak. Meanwhile, a non-mainstream poetry such as emphasis on Chinese poetry and public songs,and description on Kim Hyung-jik’s life and work, that falls into a lot of part of description in the modern literature, is the strategy to systemize originality and aesthetic superiority of Kim Il-sung’s family. North Korea considers the beginning of resistance against Japanese rule and Juche-Sasang(주체사상) same(1926). By placing the ideological and aesthetic basis to Kim Hyung-jik, the advent of Kim Il-sung and reform movement naturally acquire its originality and absoluteness. Like this, History of Chosun literature(7) reconstructs the history of modern poetry, but it seeks more minute connotation and logic(politics) of exclusion by arranging pro poetry under the literary against Japanese rule and progressive poetry literature