중국 사찰 채화(彩畫) 연구 -조선시대 사찰 단청과의 비교를 중심으로-

Abstract

This paper aims to compare and analyze Decorative Color Painting in Korea and China by identifying the development of Chinese Decorative Color Painting over time, their uniqueness and universality. Chinese Decorative Color Painting became increasingly formalized by the 『Yingzao fashi(營造法式)』，which compiled in the Song Dynasty, and reached its peak in the Ming and Qing Dynasties. During the Goryeo Dynasty, Korean dancheong seems to have matured and acquired its own distinctive Korean characteristics. During the Goryeo Dynasty, Decorative Color Painting represented the Korean characteristic that distinguished it from China, As China and Korea interacted in many ways, including politics, economy, and culture, many similarities emerged in the form and pattern of Decorative Color Painting. At the same time, both countries' Decorative Color Painting were influenced by their respective cultures, and ethnic styles emerged. If you compare Chinese and Korean Decorative Color Painting, you will find that there are many similar patterns, such as mericho(머리초), geumun(금문), byeoljihwa(별지화) and Independent Patterns. Muricho, Geumun, and Independent Patterns are patterned decorative patterns that are repeatedly used on a single piece, while Byeoljihwa are pictorial decorative patterns that are relatively free to use a variety of figures for each piece. By selecting four types of similar patterns from Korean and Chinese Decorative Color Painting, I will compare the dancheong of the Joseon Dynasty with the Ming and Qing Dynasties. In doing so, I hope to identify the differences and similarities between the two styles, as well as the uniqueness of each country.