김준오·이승훈 시론에 나타난 몽타주의 원리

Abstract

This study investigated the theories of modernism and the theory of montage technique from the 1930s to the 1980s by exploring the poems of Kim Jun oh and Lee Seung hun. Kim jun oh and Lee seung hun, who sought to theorize the contemporary poetry of Korean modern poetry. Kim Jun oh and Lee Seung hun tried to explore the current state and to find the rationale while typifying poetry of the time. Kim Jun oh considered that what the city intends to pursue is 'identity'. The reason why he explains identity and inequality is because he saw that these two principles are being built together in poetry. Since the modern era, human beings feel the aspect of the poetry and space which are thoroughly divided and disintegrated through the experience of modernity. At this time Kim Jun oh emphasizes the principle of 'non-identity' as a way of confrontation between the self and the world. Unlike the 1930s and 1950s montages, the montage of the 1980s shows a whole new world view. In the 1980s, the poetry of montage technique was intended to show the reality of industrial society and the phenomenon of dehumanization by simultaneous voices of the alienated people. Kim Joon-oh had a position to pursue the recovery of identity while experiencing the world of non-identities. Kim Jun oh believed that identity, the fundamental principle of lyric poetry, would still be an important concept in the 21st century. The future 'lyricism' seen by Kim Jun oh comes from the aspect seen in both sides of humanity. Lee Seung hun shows that the montage of the fragmented poetry represents the life in the late modern period, and the alienation and anxiety felt by the modern man is expressed by the montage technique. He sees the possibility of modern poetry as a montage as a new poetic adventure to overcome human limitations. The work of Kim Jun oh and Lee Seung hun is evaluated as theorizing the montage technique by analyzing the accumulated influence of modernism poetry and exploring the principle of montage. This was possible because the works using the montage technique accumulated over a long period of time. Kim Jun oh and Lee Seung hoon analyzed the principle of montage and brought it into the realm of intellect.