이승훈의 시의식의 변천 양상 연구

Abstract

This study is about Lee, Seung Hoon's unique poetics, [non-object poetics], [boiled rice with assorted mixtures poetics], [dissolution poetics] in his poem history for 45 years. I tried to find and define his concepts of poetics. He searched ego by non-object and changing grammatical person which he showed in the world of modernism poetry. In 60~70's, he concentrated on search of ego by showing the first person, 'I' on poems, and he showed disappearance of ego by the second person, 'you' in 80's. Then, by showing the third person, 'he' on his poems in 90's, he tried to identify meaning of existence, ego not divided and identity of 'I', 'you' and 'he'. Lee, Seung Hoon followed continual search and study on language. As an almost unique poet who realizing 1930's Lee Sang's problems of identity, self-consciousness about language, and resistance against rhetoric law that tries to systematize individuals with social, political, economical, historical and cultural symbols, I tried to prove. In romanticism poetry, ego tries to compromise with the world, but Lee, Seung Hoon shows similar form to surrealism meeting self essence in disagreement with the world. Receiving baptism of Seon poetry of ego not divided thought through ego denial and ego disappearance which he argued is not able to seize unconsciousness by techniques of realism or naturalism. So he threw away behavior depending on existing traditional techniques to find and express essence of human existence. I tried to show this spirit which he tried to get by ego disappearance and identity disappearance from ego denial is essence of his poetry consciousness. The course of movement and the aspect of transition to non-object modernism, ego search from modernism, ego disappearance from post modernism, and from post modernism to deconstruction, from deconstruction to ego not divided, from ego not divided to Seon poetry, and his edgier and experimental poetry are the reason why Korean literary world should pay attention to his works. There were no poets in Korean poetry world in 1960's clearer and changed more systematically than Lee, Seung Hoon's poetry. Particularly the course of movement of object and tone in the poetry is eye-opening fruit in Korean poetry world. Showing transition from the world of surreal and abstract expressionist image to the world of floating significant or balloting playing, it is an aesthetic criticism on capitalism, search of alienated ego and language what he concentrated on. Edgier thorough spirit and experimental mind means new direction of Korean modernism poetry and avant-garde poetry, and singing about inner world of modern people who are losing direction to go in the social state of the times is not able to escape from rationalization, justice of action as a Korean modernist. The aesthetic criticism on general meaning, search on nil and new consciousness about poetic language that he pursued are needed to be estimated newly about their effects on poetry history of Korean modern poetry.