후지와라 데이카(藤原定家)의 詩語 평가와 미의식에 관한 고찰-『미야가와 우타아와세(宮河歌合)』를 중심으로-

Abstract

This study is about the beginning of assessment of poetic diction and the aesthetic consciousness of Fujiwarano Teika(藤原定家). The Heian monarchy(平安王朝) was been faced with a literary crisis by the Kamakura shogunate(鎌倉幕府) and military rule(武家政権). As a part of attempt to recover the way of Waka poetry(和歌), Saigyo(西行) conducted experimentally, for the first time, the name of Zikaawase(自歌合) Style like the 「Mimosusogawa-Utaawase(御裳濯河歌合)」 and the 「Miyagawa- Utaawase(宮河歌合)」. These two Utaawase(歌合) were based on the aesthetic consciousness about Saigyo that he showed his earnestness the outer and inner palaces of the Ise Shrine(伊勢神宮). This study focused 72 song works that were evaluated, as a judgement, in 「Miyagawa-Utaawase」 by Fujiwarano Teika. Judgements were created some new concepts form this form. In the case of the aesthetic consciousness, Yugen(幽玄), in the philosphical thought of Buddhism. commissioned Fujiwara Shunzei(藤原俊成) to comment on the former, and the latter to Teika. As an official evaluator of the so-called Waka world, I would like to review the literature, aesthetics, and standards of evaluation of the Teika’s aesthetic feelings. Saigyo, as a Buddhist poet, commissioned Teika to evaluate his work on the selection and compilation of his works. The evaluation of waka poetry works were under the influence of his father, Fujiwara Shunze, However Teika’s the evaluation made major source of understanding the aesthetics of himself. The emergence of the Kamakura Shogunate and political power, represented to change in the realm of literature waka world. Waka, traditionally, the height of the language power of the reigning royal aristocratic community, faced an unprecedented crisis. It can be said that the reclusive literary characteristics of Saigyo, which remained in the change of central literature, expected the path of Waka discourse to be inherited by entrusting the evaluation of which attempted an un conventional composition. This study examined the overall impression of the poetical idea Kokoro(心), choice of poetic language Kotoba(詞) and the aesthetics and evaluation criteria in the three areas of Sugata(姿). Teika, conclusionally, made effort not only styles of Waka poetry, but also the evaluation of poetic dictions. There was re-examining awareness of Saigyo as a religious and artistic beliefs and Teika’s with a deep artistic concept.