藤原定家의『毎月抄』秀逸体에 관한 고찰 -伝統歌論과 관련하여-
A study on the「Shuitsutai」 in 『Maigetsusho』of Fujiwara no Teika -focused on Traditional Poetics-
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
The purpose of this paper is to illuminate the meaning of Fujiwara no Teika (藤原定家)'s Shuitsutai(秀逸体) in his poetics, Maigetsusho (毎月抄). Focusing considering traditional poetics ; Kino Tsurayuki(紀貫之), Fujiwarano Kinto(藤原公任) and Teikazittei (定家十体) from a aesthetic point of view. An essentialprerequisite of Shuitsutai expanded to obtain perfect autonomy of art as a foothold of poetic material andrhetoric. Through this paper, Shuitsutai was analyzed an extension of the Teikazittei not an anotherdifferent Style. Preterition phenomenon of Yōen (妖艶) in Maigetsusho cannot be an individual level andcomplacent omission poetic negative, still composed poetics of Teika. Concept of Yōen (妖艶) had existedwith Yozyo (余情) summit poetic attitude even though we didn't mention. Conclusion, Shuitsutai didn'tconceptualize obvious poetic order but hidden poetic order and framed poetic diction previous essentialspace trough constant exertions. To summarise, intrinsic attributes of Shuitsutai acted external shapeWaka (和歌) so we must not forget the reverse side essence of Ushin (有心).
Abstract
The purpose of this paper is to illuminate the meaning of Fujiwara no Teika (藤原定家)'s Shuitsutai(秀逸体) in his poetics, Maigetsusho (毎月抄). Focusing considering traditional poetics ; Kino Tsurayuki(紀貫之), Fujiwarano Kinto(藤原公任) and Teikazittei (定家十体) from a aesthetic point of view. An essentialprerequisite of Shuitsutai expanded to obtain perfect autonomy of art as a foothold of poetic material andrhetoric. Through this paper, Shuitsutai was analyzed an extension of the Teikazittei not an anotherdifferent Style. Preterition phenomenon of Yōen (妖艶) in Maigetsusho cannot be an individual level andcomplacent omission poetic negative, still composed poetics of Teika. Concept of Yōen (妖艶) had existedwith Yozyo (余情) summit poetic attitude even though we didn't mention. Conclusion, Shuitsutai didn'tconceptualize obvious poetic order but hidden poetic order and framed poetic diction previous essentialspace trough constant exertions. To summarise, intrinsic attributes of Shuitsutai acted external shapeWaka (和歌) so we must not forget the reverse side essence of Ushin (有心).
참고문헌 (9)
- 佐佐木信綱, "日本歌学大系 第壱巻", pp.64~ (1991), 風間書房
- 日本文学研究資料刊行会, "日本文学研究の方法古典編", pp.86~ (1988), 有精堂
- 橋本不美男, "日本古典文学全集", pp.57~ (2002), 小学館
- 池田富蔵, "源俊頼の風体論」―その継承と展開― 梅光女学院大学", 日本文学研究, (13), pp.79~ (1977)
- 歌論史上における藤原公任の地位, "池田富蔵", 37~38, pp.人文社會科學研究報告 (1) (1951)
- 源俊頼における美意識について, "稲田繁夫", 47~, pp.人文科学研究報告 (5) (1955)
- 佐藤茂樹, "定家「もとの姿」の基本性の意味「初心性と究竟性」", 日本文学, pp.21~34 (1995), 広島女学院大学
- 藤原定家の十体論について―その概略と定家の幽玄観について― In 岡山大学文学部プロジェクト研究報告書, "田仲洋己", 11~13 (2006)
- 細谷直樹, "「毎月抄」私注", 人文研究, (38), pp.1~8 (1969), 小樽商科大学