『定家十体』의「鬼拉体」에 관한 고찰

Abstract

The purpose of this paper is to determine the meaning of Kiratsutei (鬼拉体) of Teika J ittai (定家十体). The expression of masculinity was an attempt at the end of the spectrum presented by Kiratsutei . Fujiwara no Teika(藤原定家) witnessed a mix of fear of non-constitution rights and the case of the dissolution of a dynasty culture. But he refused to change into a mind. Although the dynasty wanted to overcome the transformation of Waka`s world view. As part of it, it is an anachronism. After reconsidering the spirit of the late leader and the spirit of the king who was negligent in his speech, he called the person at the center of criticism. As an expression of the circulating world view, the writer explained that the aspect of active participation in real life was changed. Overall, the tendency toward Kiratsutei (鬼拉体) was found to be in contrast to the masculinity in the side connection, which excludes simple and simple construction and excessive retoxic. In particular, it is possible to open up the possibility of a new interpretation of the local village by adopting the main concept Kiratsutei(鬼拉体). Aesthetic sense of Requiem(鎮魂) his teen, a woman has been working around the aristocratic Kiratsutei to what had been Heian(平安) of the day of the Kamakura(鎌倉). It can be the replacement of teeth with ‘masculinity’ while accepting that characterised that the recovery of the Waka.