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복음서의 종결에 관한 마가복음의 전략

A Reconsideration on the Literary Strategy of the Markan Original Ending

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A Reconsideration on the Literary Strategyof the Markan Original Ending Roh Sik Park(Kangnam University) The author of the Gospel of Mark ends his gospel on a note of human failure. Mark 16:8 is the original and intended ending of the Gospel. This is a major literary unit of the Gospel as well as the conclusions of the major works of ancient popular narrative. The Markan original ending is a literary and rhetorical strategy that addresses Christian who are faithful, yet fearful, stumbling, feeling both Jesus’ absence and the silence of the eyewitnesses formerly among them and awaits a hearing of this new word in the audience ahead of the text. This study aims to identify the specific literary and rhetorical techniques and theological implications of the Markan original ending. The Markan original ending emphasizes the apostolic commission to proclaim the gospel. The words of the final scene in the Gospel of Mark describe an experience past and present. The Markan original ending is designed to be an experience of conflict between the scandal of flight and silence and the fear of proclamation. This study focuses on a dialogue with the women’s scandalous actions of flight and silence in the final verse of the Gospel of Mark. The women’s flight and silence in Mark 16:8 creates generative potential space between narrative and audience, space in which audience can respond. In response to the shock of realization that the response of flight and silence is utterly wrong, the narrative appeals for the proclamation of the gospel regardless of fear. The Markan original ending provokes the listeners and audiences to reflect on the future response of Jesus’ followers to the commission to proclaim the gospel.

Abstract

A Reconsideration on the Literary Strategyof the Markan Original Ending Roh Sik Park(Kangnam University) The author of the Gospel of Mark ends his gospel on a note of human failure. Mark 16:8 is the original and intended ending of the Gospel. This is a major literary unit of the Gospel as well as the conclusions of the major works of ancient popular narrative. The Markan original ending is a literary and rhetorical strategy that addresses Christian who are faithful, yet fearful, stumbling, feeling both Jesus’ absence and the silence of the eyewitnesses formerly among them and awaits a hearing of this new word in the audience ahead of the text. This study aims to identify the specific literary and rhetorical techniques and theological implications of the Markan original ending. The Markan original ending emphasizes the apostolic commission to proclaim the gospel. The words of the final scene in the Gospel of Mark describe an experience past and present. The Markan original ending is designed to be an experience of conflict between the scandal of flight and silence and the fear of proclamation. This study focuses on a dialogue with the women’s scandalous actions of flight and silence in the final verse of the Gospel of Mark. The women’s flight and silence in Mark 16:8 creates generative potential space between narrative and audience, space in which audience can respond. In response to the shock of realization that the response of flight and silence is utterly wrong, the narrative appeals for the proclamation of the gospel regardless of fear. The Markan original ending provokes the listeners and audiences to reflect on the future response of Jesus’ followers to the commission to proclaim the gospel.

참고문헌 (46)

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