한국 현대 무속시와 폭력적 이미지 연구

Abstract

In this paper i have explored aspect of acceptance of shamanism and violence, based on the folk beliefs created writing shown in the Korean contemporary poetry that forms the back born of the Korean religious culture. these shamanic poems that I studied is based on the organizational relationship of God and a transcendent view of the world and show the nature and continuity of its existence beyond the continuity of existence. folk belief in shamanistic mediated the webs like a human, natural, human beings and human, human beings and the world of folk are shamanistic belief that language service to be violence is reflected over the world point. following liberation of the Japanese colonial rule and violence of the Korean War and confusion, and military dictatorship, an era go through the trauma associated with personal and social democratic process, the social violence inherent to the shamanistic poetry. First, Kim Chun-su Lives of the 'Cheoyong' shamanistic, is showing this ' during Japanese colonial rule and the Korean war, see for themselves, or experience a sanctuary to a would-be bonding experience in front of a violent history And began to function as' The place of sanctuary'. for example, It has 'The effect of purification' naive about in all purity , universal health and an affluent life itself the dirt with pure in constantly to rise attitude to do. Kim Chun-su was Cheoyong, through the tragic history from his childhood in the suffering of despair, fear, sexual purity and admiration and resentment and sexual violence and sexual humiliation, Himself and so on In resolving the violent repression can be. Second, Gojeonghui, in surface of a memorial service tragic for the world of grief and despair, for the tragic world awareness about the impact of the death trauma of expression, but death is just one about management makes people from death It contains the conquest that will elevate level. christian worship and a memorial service for the coupled to the sentiments of our race is on 'madang gut' military dictatorship as the two sides of the courtyard towards reunification, democratic, unified and Democrats who had died while fighting for She can bring the soul of souls. the folk to try to calm the pain of Christian rituals and folk religion unite the Good and be staged by melting in line with the type of on the type of solidarity a memorial service for the allow her to. and through this, sat the prescribed personal ethnic and expand to the ethnic group. Third, Singyeongnim and Kim Chi-ha shamanistic poetry is dying for freedom and democracy in front of a military dictatorship of Jindo County with images for those souls, and poetic in background A mass of people without power in the ruling and dominated by political violence, which is a means to control economic violence, unethical, which is destroying many types of violence, and human dignity and valueI will start from the historical injustice. unjust violence in order to take power in front of the violence that is ugly, and the unfair on the road for a popular uprising that killed Aerin as a medium as poetic or Yeongmaeja Lemures, wandering by imagery, criticized the violence, repressive, recite the prayers and an order for the poultry has plummeted. Korean contemporary poet have experienced violence at the scene of historic shamanistic, in terms of how be reflected, and to the consequent psychological repression and to express frustration of shamanisticI checked out the Expressive Aspects. shamanistic as the media, creative is a shamanic, that in the same about the creation and destruction is at hand. shamanistic poetry and violent view of the world doesn't appear from the combination of poetic form, this was a poet is pain and trauma experience gained through the historic events, and an era that more than a shamanistic and be reflected in the city complex.