한국영화운동사에서 ‘영상시대’의 등장 배경과 영화사적 의의

Abstract

In Korean cinema movement history, KAPF, independent film and film alliance of Korea movement can be examples of the cinema movement. The movement aiming to an improvement on the film art is ‘Young Sang Shi Dae’ effort in 1970s. The advent of Young Sang Shi Dae was affected by ‘You hyun-mok’, ‘Sin Sang Ok’ represented as master directors. In addition,Avant-garde movement provided cultural soil for it. ‘You hyun-mok’was patron of members of Young Sang Shi Dae. Firstly, his Journey abroad had an impact on Korean Avant-garde consistently. Secondly,youth culture in 1970s was expressed as the advent of Young Sang Shi Dae which claimed art film with resistance to market power of national policy film and general film. Lastly, New wave, typified by New American Cinema, by directors who were studying abroad also had an influence on it. Hah gil jong, Hong ui bong were studying in America and Hah gil jong's criticism works demonstrated the influence of New American Cinema. Cinema movement in Young Sang Shi Dae was differentiated from other movements, in the way that it claimed to artistic revitalization of film rather than resistant movement against oppression and tyranny of reality. There are Significances in the Korean film history: firstly it was carrying on the cinema movement. Cinema movement appeared in 1970s through the KAPF and the film alliance of Korea. Film makers working in Young San Si Dae kept the flow of Korean cinema movement alive by participating in cinema movement in 1980s. Artistic revitalization of Korean film, restoring self empowerment of Korean film industry that Young Sang Shi Dae claimed brought Korean new wave into flower. Secondly, it realized cinematic language and tried to reflect on the film as an art. This gets abreast of the cinema movement leading the course of world cinema history. Trend which represents the world cinema history centers around a guarantee of the spirit of the age and the creation of new cinematic language. Young Sang Shi Dae is noteworthy in that it tried to express youth resistance culture with the cinematic language. Finally,this movement was to reflect on the reality of Korean film and overcome it. It is common topic of all time to retain artistic revitalization of Korean film and industrial empowerment, but it was brought up fundamentally at the declaration of Young Sang Shi Dae for the first time in the Korea film history. Young Sang Shi Dae was the movement which focused on art rather than ideology and cinematic attempt to express contemporary spirit. It, however, didn't reach the creation of new cinematic language and remained declarative slogan. At the same time, the power of movement was debilitated by dependence on stature as top 30 hit film directors, a loose solidarity resulting from alliance formed by personal relationship and so on.