1980년대와 한국영화사 담론의 접촉지대

Abstract

This article attempts to confirm a knot of the 1980s and to examine its resources and dynamics as a result of the emergence of new discourse about the history of Korean cinema. This paper verified possibility of the formation of independent film groups in the 1980s and the Removal of ban on the North Korean artists and their works as resourses, and the balance between the creation and criticism of Korean films and the study of interdisciplinary film studies as dynamics. This paper is meaningful to discover various points of contact within and outside Korean cinema in the 1980s as another approach to the existing debate on this, which simplifies the emergence and influence of nation/people discourse. At the end of the journey from the anti-imperialism through the Third World Film Movement to the North Korean and Communist film theory in the 1980s, the independent film group's publication encounters the film movement of KAPF, however coincidentally, a separate interpretation is required. This, in turn, is the process of theorizing the historical resources of Korean independence films and expanding them into social movements by refracting the theoretical radicality of the discourse of nation, people, and democracy in contemporary Korean society. Korean film history, newly described as a product of contact zones, not only created knots in Korean film history, but also created a nodule in the boundaries between the disciplines. The incident then revealed that the history of the film, which is the subject of the masses in later film history, should be further revealed, the boundaries between the disciplines of science and science should be further broken down, and above all, the people found in the contact zone at that time need to be further subdivided. It continues to raise. This is the current meaning of the knot of Korean film history that appeared in the 1980s.