19세기 전반 파리의 출판문화: 소설의 승리와 문학의 상업화
Early 19th Century Parisian Publishing Culture The Victory of the Novel and the Commercialization of Literature
2
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
The 19th century was the golden age of print, and Paris was the epicenter. Those who had been pouring over the same few number of books over their lifetime found written form to be ever more accessible; and for the first time in history, books became an object of consumption for a single reading experience. What the public especially craved was fiction; and as Sainte-Beuve scoffed, the advent of newspaper novels in the 1830s propelled literature to enter the circuit of capitalist production and consumption to become an industry. Publishing houses played a significant role in the spread of novels. A mos noteworthy driver was the drop in book prices. The publisher Charpentier put forth a single volum novel in a small format of format in-18 at the price of 3,50 francs in 1838, making a mark in the falling prices and pulling down barriers for the larger readership. The earlier half of the 19th century was a vibrant period with renowne players such as the still-present Imprimerie Royale established by cardinal Richelieu and old-standing publishing houses dating back to the 15th century; co-existing with new publishers Didot armed with novel methods and equipment. This was also the time that the Parisian publishing landscape that continue to today start taking shape with the likes of Garnier and Hachette. It is also true, however, that publishing powerhouses of those days such as Charles Gosselin, Eugène Renduel, Urbain Canel, and Ladvocat have ceased to exist. The glut of published books, an import ban on French books by Spain, Portugal, and Italy, and the pirating by Belgium dealt blows to the French publishing scene. The publishers of the olden days were often small businesses, and the probability that a project would end up an inventory than a bestseller was high –as is the case today. This meant that publishers were constantly exposed to the risk of bankruptcy than safe sailing with a stable source of good income. In the financial crisis of the 19th century in which excessive rise in credit dealings and debt were seen as culprits, the small publishers without strong capital means were vulnerable. The French publishing scene addresses these challenges by bettering the technology to continue lowering book prices, creating more quality paperbacks, offering educational materials or illustrations, installing book kiosques as railways opens on the back of a steady rise in the overall readership; to reach its heyday in the late 19th century The century marked by maturing capitalism was indeed a remarkable period in the history of publishing as not only quality books become available through innovations in printers and paper production, but also as publishers become an industry it their own right by incorporating advertisement.
Abstract
The 19th century was the golden age of print, and Paris was the epicenter. Those who had been pouring over the same few number of books over their lifetime found written form to be ever more accessible; and for the first time in history, books became an object of consumption for a single reading experience. What the public especially craved was fiction; and as Sainte-Beuve scoffed, the advent of newspaper novels in the 1830s propelled literature to enter the circuit of capitalist production and consumption to become an industry. Publishing houses played a significant role in the spread of novels. A mos noteworthy driver was the drop in book prices. The publisher Charpentier put forth a single volum novel in a small format of format in-18 at the price of 3,50 francs in 1838, making a mark in the falling prices and pulling down barriers for the larger readership. The earlier half of the 19th century was a vibrant period with renowne players such as the still-present Imprimerie Royale established by cardinal Richelieu and old-standing publishing houses dating back to the 15th century; co-existing with new publishers Didot armed with novel methods and equipment. This was also the time that the Parisian publishing landscape that continue to today start taking shape with the likes of Garnier and Hachette. It is also true, however, that publishing powerhouses of those days such as Charles Gosselin, Eugène Renduel, Urbain Canel, and Ladvocat have ceased to exist. The glut of published books, an import ban on French books by Spain, Portugal, and Italy, and the pirating by Belgium dealt blows to the French publishing scene. The publishers of the olden days were often small businesses, and the probability that a project would end up an inventory than a bestseller was high –as is the case today. This meant that publishers were constantly exposed to the risk of bankruptcy than safe sailing with a stable source of good income. In the financial crisis of the 19th century in which excessive rise in credit dealings and debt were seen as culprits, the small publishers without strong capital means were vulnerable. The French publishing scene addresses these challenges by bettering the technology to continue lowering book prices, creating more quality paperbacks, offering educational materials or illustrations, installing book kiosques as railways opens on the back of a steady rise in the overall readership; to reach its heyday in the late 19th century The century marked by maturing capitalism was indeed a remarkable period in the history of publishing as not only quality books become available through innovations in printers and paper production, but also as publishers become an industry it their own right by incorporating advertisement.
참고문헌 (34)
- 김미성, "신문소설의 탄생과 문자의 확산 : 외젠 쉬의 『파리의 신비』를 중심으로", 프랑스문화예술연구, 51, pp.61~90 (2015), 프랑스문화예술학회
- 로버트 단턴, "고양이 대학살 : 프랑스 문화사 속의 다른 이야기들" (1996), 문학과 지성사
- 로제 샤르티에, "읽는다는 것의 역사" (2006), 한국출판마케팅연구소
- 뤼시앵 페브르, "책의 탄생" (2014), 돌베개
- 마샬 맥루한, "구텐베르크 은하계" (2011), 커뮤니케이션북스
- 오노레 드 발자크, "잃어버린 환상" (2012), 서울대학교출판문화원
- Allen, James Smith, "Le commerce du livre romantique à Paris (1820-1843)", Revue française d'histoire du livre, (26) (1980)
- Allen, James Smith, "In the Public Eye A History of Reading in Modern France, 1800-1940" (2014), Princeton University Press
- Barbier, Frédéric, "Les ouvriers du livre et la révolution industrielle en France au XIXe siècle", Revue du Nord, 63(248) (1981)
- Bory, J.-L, "le roi du roman populaire" (1962), Hachette
- Brisset, Joseph, "Le Cabinet de lecture" (1843), V. Magen
- Chabault, Vincent, "Librairies en ligne: Sociologie d'une consommantion culturelle" (2013), Presses de Sciences Po
- Chartier, Roger, "Histoire de l'édition française, tome III" (1990), Fayard
- Corbin, "Pour une sociologie de la connaissance de l'alphabétisation au XIXe siècle", Revue d'histoire économique et sociale, (1) (1975)
- Dupont, Paul, "Histoire de l'imprimerie, 2 vol" (1854), Imprimerie Paul Dupont
- Flaubert, Gustave, "Correspondance, tome 4 Janvier 1869-Décembre 1875" (1998), Gallimard
- Gonnet, Paul, "Esquisse de la crise économique en France de 1827 à 1832", Revue d'histoire économique et sociale, 33(3), pp.249~292 (1955)
- Janin, Jules, "Critique, portrait et caractères contemporains" (1859), Hachette
- Latournerie, Anne, "Droits d'auteur, droit du public: une approche historique", L'Économie politique, (22) (2004)
- Lough, John, "Writer and Public in France: from the Middle Ages to the present day" (1978), Clarendon Press
- Lyon-Caen, "Histoire littéraire et histoire de la lecture", RHLF, 103 (2003)
- Lyon-Caen, "La lecture et la vie: Les usages du roman au temps de Balzac" (2006), Tallandier
- Lyons, Martyn, "Le Triomple du livre. Une histoire sociologique de la lecture dans la France du XIXème siècle" (1988), Promodis - Cercle de la Librairie
- Milner, Max, "Littérature française : De Chateaubriand à Baudelaire, tome 7" (1990), Artaud
- Parent-Lardeur, Françoise, "Lire à Paris au temps de Balzac : Les cabinets de lecture àParis 1815-1830" (1999), Éditions de l'École des Hautes Études en Science Sociales
- Planté, Christine, "La Place des femmes dans l'histoire littéraire : annexe, ou point de départ d'une relecture critique?", RHLF, 103 (2003)
- Parmentier, Marie, "Commerce et littérature. Les processus de légitimation dans Paris ou Le Livre des Cent-et-un", Romantisme, (165) (2014)
- Plon, Eugène, "Notre livre intime de famille" (1893), Nourrit et Cie
- Queffelec, Lise, "Le lecteur du roman comme lectrice: stratégies romanesques et stratégies critiques sous la Monarchie de Juillet", Romantisme, 16 (1986)
- Sainte-Beuve, "Causeries du lundi, 15 vol" (1857), Garnier Frères
- Sainte-Beuve, "Chroniques parisiennes" (1876), Michel Lévy Frères Éditeurs
- Vachon, Stéphane, "Lire au temps de Balzac: le témoignage de la fiction balzacienne", L'Année balzacienne, (11) (2010)
- Werdet, Edmont, "De la librairie française: son passé, son présent, son avenir" (1860), E. Dentu, Libraire d'Orléans
- Zola, Emile, "L'Argent et la littérature, Oeuvres complètes, Etude biographique et critiques" (1881), Arvensa Editions