해리엇 비처 스토우의 눈에 비친 소저너 트루스
Sojourner Truth Represented by Harriet Beecher Stowe
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This paper analyzes how Harriet Beecher Stowe represents Sojourner Truth in her essay “Sojourner Truth, The Libyan Sibyl.” Not so much does Stowe's representation tell about Truth, my argument is, as it does about the author herself. Stowe reveals her attitude toward racial issues and women's question of the time thorough her representation of Truth. Firstly Stowe otherizes Truth by emphasizing her blackness and Africanness. She describes Truth using “bad English” which is differentiated from good one she and her colleagues use. In a similar context, Stowe consistently compares Truth to statues, reducing her living energy and spiritual charisma to a fixed thing. Secondly, Stowe attempts to strengthen her own argument against suffrage movement by appropriating Truth's opinion of bloomer, the suffragettes' dressing. Finally, Stowe calls Truth as an epithet, “The Libyan Sibyl,” which effectively performs ambivalent function of embracing her as a prophetess within Christian tradition, but still imbuing Truth with mysticism and heresy. In conclusion, Stowe's “Sojourner Truth, The Libyan Sibyl” represents Truth as a mysterious African figure, who isThis paper analyzes how Harriet Beecher Stowe represents Sojourner Truth in her essay “Sojourner Truth, The Libyan Sibyl.” Not so much does Stowe's representation tell about Truth, my argument is, as it does about the author herself. Stowe reveals her attitude toward racial issues and women's question of the time thorough her representation of Truth. Firstly Stowe otherizes Truth by emphasizing her blackness and Africanness. She describes Truth using “bad English” which is differentiated from good one she and her colleagues use. In a similar context, Stowe consistently compares Truth to statues, reducing her living energy and spiritual charisma to a fixed thing. Secondly, Stowe attempts to strengthen her own argument against suffrage movement by appropriating Truth's opinion of bloomer, the suffragettes' dressing. Finally, Stowe calls Truth as an epithet, “The Libyan Sibyl,” which effectively performs ambivalent function of embracing her as a prophetess within Christian tradition, but still imbuing Truth with mysticism and heresy. In conclusion, Stowe's “Sojourner Truth, The Libyan Sibyl” represents Truth as a mysterious African figure, who is
Abstract
This paper analyzes how Harriet Beecher Stowe represents Sojourner Truth in her essay “Sojourner Truth, The Libyan Sibyl.” Not so much does Stowe's representation tell about Truth, my argument is, as it does about the author herself. Stowe reveals her attitude toward racial issues and women's question of the time thorough her representation of Truth. Firstly Stowe otherizes Truth by emphasizing her blackness and Africanness. She describes Truth using “bad English” which is differentiated from good one she and her colleagues use. In a similar context, Stowe consistently compares Truth to statues, reducing her living energy and spiritual charisma to a fixed thing. Secondly, Stowe attempts to strengthen her own argument against suffrage movement by appropriating Truth's opinion of bloomer, the suffragettes' dressing. Finally, Stowe calls Truth as an epithet, “The Libyan Sibyl,” which effectively performs ambivalent function of embracing her as a prophetess within Christian tradition, but still imbuing Truth with mysticism and heresy. In conclusion, Stowe's “Sojourner Truth, The Libyan Sibyl” represents Truth as a mysterious African figure, who isThis paper analyzes how Harriet Beecher Stowe represents Sojourner Truth in her essay “Sojourner Truth, The Libyan Sibyl.” Not so much does Stowe's representation tell about Truth, my argument is, as it does about the author herself. Stowe reveals her attitude toward racial issues and women's question of the time thorough her representation of Truth. Firstly Stowe otherizes Truth by emphasizing her blackness and Africanness. She describes Truth using “bad English” which is differentiated from good one she and her colleagues use. In a similar context, Stowe consistently compares Truth to statues, reducing her living energy and spiritual charisma to a fixed thing. Secondly, Stowe attempts to strengthen her own argument against suffrage movement by appropriating Truth's opinion of bloomer, the suffragettes' dressing. Finally, Stowe calls Truth as an epithet, “The Libyan Sibyl,” which effectively performs ambivalent function of embracing her as a prophetess within Christian tradition, but still imbuing Truth with mysticism and heresy. In conclusion, Stowe's “Sojourner Truth, The Libyan Sibyl” represents Truth as a mysterious African figure, who is
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