이바와 톱시:『톰 아저씨의 오두막』의 이분법적 만화경
Eva and Topsy: Binary Kaleidoscope in Uncle Tom’s Cabin
0
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
Although it provoked the readers, deploring the slavery and the Fugitive Slave Law and setting an African American slave as a heroic protagonist, Harriet Beecher Stowe’s novel Uncle Tom’s Cabin was an extraordinary success. What is the main cause of the success? As one of the causes, many critics have indicated the author’s appeal to the readers’ emotion with the vivid description of slave mothers’ deadly suffering from losing their children, for which some critics have harshly criticized Stowe’s writing style as sentimental, exaggerating and simplifying. Focusing on two young characters, an angelic white girl, Evangeline St. Clare, and an African American slave girl, Topsy, and interpreting them as binary “kaleidoscope” Stoew intends to smash, this paper will bring forth a secret key to the success of Uncle Tom’s Cabin.
Abstract
Although it provoked the readers, deploring the slavery and the Fugitive Slave Law and setting an African American slave as a heroic protagonist, Harriet Beecher Stowe’s novel Uncle Tom’s Cabin was an extraordinary success. What is the main cause of the success? As one of the causes, many critics have indicated the author’s appeal to the readers’ emotion with the vivid description of slave mothers’ deadly suffering from losing their children, for which some critics have harshly criticized Stowe’s writing style as sentimental, exaggerating and simplifying. Focusing on two young characters, an angelic white girl, Evangeline St. Clare, and an African American slave girl, Topsy, and interpreting them as binary “kaleidoscope” Stoew intends to smash, this paper will bring forth a secret key to the success of Uncle Tom’s Cabin.
참고문헌 (29)
- 고혜선, "빌리에 드 릴아당의 『잔혹한 이야기』와 환상의 만화경", 환상문학, pp.11~35 (2006)
- Abate, Michelle Ann, "Topsy and Topsy-Turvy Jo: Harriet Beecher Stowe’s Uncle Tom’s Cabin and", in Louisa May Alcott’s Little Women, 2006, pp.34, 59~82
- Baldwin, James, "Notes of a Native Son. 1955" (1972), Bantam
- Bracher, Mark, "How to Teach for Social Justice: Lessons from Uncle Tom’s Cabin and Cognitive Science", College English, 71, pp.363~388 (2009)
- Bromwich, David, "“Introduction” in Harriet Beecher Stow’s Uncle Tom’s Cabin or, Life Among the Lowly", pp.9~25 (2009), The Belknap Press of Harvard UP
- Dinerstein, J, "Uncle Tom is Dead!: Wright, Himes, and Ellison Lay a Mask to Rest", African American Review, 43, pp.83~98 (2009)
- Du Bois, William. E. B., "Three Negro Classics", pp.207~389 (1965), Avon Books
- Gates, Henry Louis Jr, "Introduction, In The Annotated Uncle Tom’s Cabin by Harriet Beecher Stowe", pp.11~30 (2007), Norton
- Gilbert, Sandra M, "Death’s Door: Modern Dying and the Ways We Grieve" (2006), Norton
- Gossett, Thomas, "Uncle Tom’s Cabin and American Culture" (1985), Southern Methodist UP
- Halpern, Faye, "In Defense of Reading Badly: The Politics of Identification in ‘Benito Cereno,’ Uncle Tom’s Cabin, and Our Classrooms", College English, 70(6), pp.551~577 (2008)
- Kellman, Steven G., "Waging War Over Stowe And Shakespeare", Michigan Quarterly Review, 46, pp.355~364 (2007)
- Mitchell, W. J. T., "Picture Theory" (1994), U of Chicago P
- Myers, Margaret, "Why There’s No Uncle Tom in Cincinnati’s Freedom Center: The Uses of Slavery in Marketing", Charm, 239~242 (2005)
- Nyong’o, Tavia, "Racial Kitsch and Black Performance", The Yale Journal of Criticism, 15, pp.371~391 (2002)
- Ohmann, Richard M., "Selling Culture: Magazines, Markets and Class at the Turn of the Century" (1996), Verso
- O’Loughlin, Jim, "Off the Raft: Adventures of Huckleberry Finn and Jane Smiley’s The All-True Travels and Adventures of Lidie Newton", Papers on Language and Literature, 43, pp.205~223 (2007)
- Patterson, Orlando, "Slavery and Social Death: A Comparative Study" (1983), Harvard UP
- Pelletier, K., "Uncle Tom’s Cabin and Apocalyptic Sentimentalism", Literature Interpretation Theory, 20, pp.266~287 (2009)
- Richards, Jason, "Imitation Nation: Blackface Minstrelsy and the Making of African American Selfhood in Uncle Tom’s Cabin", Novel, 39, pp.204~220 (2006)
- Rutsky. R. L., "Walter Benjamin and the Dispersion of Cinema", Symploke, 15(1-2), pp.8~23 (2007)
- Smiley, Jane, "Say It Ain’t So, Huck", Harper’s, 292(1748), pp.61~67 (1996)
- Spillers, Hortens J., "Changing the Letter: The Yokes, the Jokes of Discourse: Or, Mrs. Stowe, Mr Reed, In Slavery and the Literary Imagination", pp.25~62 (1989), Johns Hopkins UP
- Steinberg, Michael P., "Walter Benjamin and the Demands of History" (1996), Cornell UP
- Stowe, Harriet Beecher, (1981), Penguin
- Tompkins, Jane, "Sensational Designs: The Cultural Work of American Fiction 1790-1860" (1985), Oxford UP
- Williams, Linda, "Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J. Simpson" (2001), Princeton UP
- Wilson, Charles Reagon, "The New Encyclopedia of Southern Culture: Myth, Manners, and Memory" (2006), U of North Carolina P
- Young, Elizabeth, "Disarming the Nation: Women’s Writing and the American Civil War" (1999), U of Chicago P
