『樂府指迷』修辭論 考察

Abstract

『Yue Fu Zhi Mi(樂府指迷)』which was witten by Shen Yi Fu(沈義父) in Southern Song Dynasty(南宋) is a Ci(詞) works, it is overall representative of Ci works in Song dynasty with 『Ci Yuan』by Zhang Yan(張炎). The inner motives to produce 『Yue Fu Zhi Mi』are Ci’s refinement since mid-Southern Song Dynasty and Ci style’s decline caused by unmusical trend. The Ci Theory of Shen Yi Fu(沈義父) is elegant has something to do with the patrician’s escapism in political attitude. They regarded regular rhythm and skills of importance but they disregarded its contents. In addition to that, Ci’s vocabulary was differ from common people’s words. Shen Yi Fu also mentioned he had studied Meng Chuang(夢窓)’s Ci style and he had put it to rights and supplement it. We can see Meng Chuang(夢窓) showed his logical manner to create Ci. The four standards to produce Ci mentioned in 『Yue Fu Zhi Mi』still maintain its pureness in Ci’s style. Shen Yi Fu describe ‘XieLu(協律)’, ‘YaYun(押韻)’, ‘XiaZi(下字)’, ‘YongShi(用事)’, ‘FaYi(發意)’ in creation of Ci. He strictly divides Ci, poem and chanling. Even if it is brief introductioin of Ci, it contains the important topics to produce Ci in fields of content, making rule, art and style. It is a essential work to involve the theory and method to create Ci in Southern Song Dynasty. Wu Wen Ying would avoid the separation between temperament and four sentences. He tried to stick to traditional beautiful Ci handed down since Zhou Bang Yan(周邦彦). But he excessively stressed people had to learn senior people’s works and adhere to traditional Ci. Even he was caught to keep the every single character in work.