李滉詞「和松岡樂府三篇」辨析及其與中國詞淵源的探討
A study of < The third part of YueFu following the rhymes used by SongGang>by Lee Hwang and the Origin of Chinese Ci
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
The works of Lee Hwang are mostly poetry and prose. His collection of poetry includes three pieces of Ci <The third part of YueFu following the rhymes used by SongGang>. The study of the works by Lee Hwang presented up to now has focused on his poems; there has been no single research paper on his poetry shown to now in ROK and China. From the point of view of the number of works or their thought, the three pieces of Ci by Lee Hwang could not be seen as dominating in his works. However, we could not gauge the value of a study just by the number of Ci. Therefore, for analysis of works, this article focuses on the three Ci by Lee Hwang. This article tries to analyze the characteristics of his poems of different rhymes Ci beyond the poems by TweKye, and it is considered to render some help for study of the works by Li Hwang, although it might be minute. This article is divided into two parts. The analysis of works in this article focuses on the works by Lee Hwang since it is impossible to study on the original Ci by Zhao Shi Xiu, whose collection of works has not been found until now. The emphasis of the analysis is put on the content, composition, and style of the works. This article organizes the background and characteristics of the Ciyun associated with <The third part of YueFu following the rhymes used by SongGang>, and then a detailed analysis is provided. The analysis of <The third part of YueFu following the rhymes used by SongGang>by Lee Hwang, which is borrowed rhyme from the Ci by Zhao Shi Xiu, is expected to be more meaningful in the future if his original poems are found.
Abstract
The works of Lee Hwang are mostly poetry and prose. His collection of poetry includes three pieces of Ci <The third part of YueFu following the rhymes used by SongGang>. The study of the works by Lee Hwang presented up to now has focused on his poems; there has been no single research paper on his poetry shown to now in ROK and China. From the point of view of the number of works or their thought, the three pieces of Ci by Lee Hwang could not be seen as dominating in his works. However, we could not gauge the value of a study just by the number of Ci. Therefore, for analysis of works, this article focuses on the three Ci by Lee Hwang. This article tries to analyze the characteristics of his poems of different rhymes Ci beyond the poems by TweKye, and it is considered to render some help for study of the works by Li Hwang, although it might be minute. This article is divided into two parts. The analysis of works in this article focuses on the works by Lee Hwang since it is impossible to study on the original Ci by Zhao Shi Xiu, whose collection of works has not been found until now. The emphasis of the analysis is put on the content, composition, and style of the works. This article organizes the background and characteristics of the Ciyun associated with <The third part of YueFu following the rhymes used by SongGang>, and then a detailed analysis is provided. The analysis of <The third part of YueFu following the rhymes used by SongGang>by Lee Hwang, which is borrowed rhyme from the Ci by Zhao Shi Xiu, is expected to be more meaningful in the future if his original poems are found.
참고문헌 (55)
- 金貞熙, "韓國“中國詞文學硏究”評述", 중국어문논총, (29), pp.199~228 (2005), 중국어문연구회
- 김정희, "中國詞學의 韓中日 硏究傾向 比較分析", 중국학보, (54), pp.121~144 (2006), 한국중국학회
- 김현주, "고려사인의 중국사문학 수용양상고찰 - 이규보, 이승휴, 이제현, 민사평, 성석린의 증답사 중심으로", 중국연구, 43, pp.21~44 (2008), 중국연구소[DOI]
- 柳己洙, "中国과 韩国의 《巫山一段雲》词 研究", 中国学研究, 8, pp.209~238 (1993)
- 柳己洙, "歷代韓國詞總集" (2007), 韓神大學出版社
- 류기수, "韓國 歷代詞의 詞牌 運用에 관한 고찰", 중국연구, 40 (2007), 중국연구소
- 류기수, "朝鮮의 朱熹詞 受容 樣相에 관한 硏究", 중국학연구, (57), pp.3~31 (2011), 중국학연구회
- 류기수, "中國詞의 受容과 創作 - 새로 발견된 高麗ㆍ朝鮮詞를 中心으로", 중국학연구, (65), pp.3~24 (2013), 중국학연구회
- 柳种睦, "高丽와 朝鲜 文坛에 있어서의 中国 词文学의 受容과 展开", 中国学报, 40, pp.187~217 (1999)
- 李家源, "退溪詩의 特徵", 退溪學報, 43, pp.7~17 (1984)
- 李承梅, "韩国词文学小考: 韩国 词創作 不振의 原因 糾明을 中心으로", 洌上古典研究, 20, pp.221~246 (2004)
- 이승매, "조선전기 詞 문학 인식과 그 특성", 한국한문학연구, (36), pp.1~23 (2005), 한국한문학회
- 李承梅, "韩国词文化通论" (2006), 成均馆大学出版部
- 李章佑, "退溪의 詩" (2017), 한길사
- 李章佑, "退溪詩 풀이" (2007), 嶺南大學出版部
- 李獻慶, "艮翁集(韓國文集叢刊第234冊)" (1999), 民族文化推進會
- 李滉, "退溪全書" (1991), 驪江出版社
- 張世厚, "退溪의 中國文人 次韻詩(1,2)", 退溪學論集, 3, pp.1~130 (2008)
- 정원호, "退溪 詩에 끼친 李白 詩의 영향", 중국학, (46), pp.161~190 (2013), 대한중국학회
- 车柱環, "中国词文学论考" (1982), 서울大学出版部
- 洪萬宗, "洪萬宗全集(下)" (1997), 太學社
- 安向梅, "宋词與朝鲜前期词的比较", 碩士, pp.2007
- 鄧廣銘, "稼軒詞編年箋注" (2016), 上海古籍出版社
- 馮應榴, "苏軾詩集全注" (2001), 上海古籍出版社
- 佛雛, "新訂人間詞話" (1990), 華東師範大學出版社
- 傅璇琮, "全宋詩" (1991), 北京大學出版社
- 洪興祖, "楚辭補注" (1983), 中華書局
- 胡仔, "苕溪漁隱叢話" (1993), 人民文學出版社
- 金度燃, "论唐宋词在韩国的传播與接受", 硕士, pp.2015
- 李寶龍, "韓國高麗詞考論", 社會科學輯刊, 3, pp.265~289 (2010)
- 李剑亮, "论韩国词对唐宋词的受容", 词学, 27, pp.210~223 (2012)
- 柳基荣, "苏軾與韩国词文学的關係", 復旦学报, 6, pp.93~97 (1997)
- 劉向, "説苑(四庫全書第696册)" (1983), 臺灣商務印書館
- 欧兰香, "宋代词乐东传的踪迹", 當代韩国, 4, pp.72~79 (2011)
- 钱锡生, "论唐宋词在韩国的传播與接受", 江海学刊, 3, pp.188~193 (2013)
- 唐圭璋, "全宋词" (1965), 中华书局
- 唐圭璋, "詞話叢編" (1986), 中華書局
- 王夫之, "薑齋詩話(薑齋詩話箋注)" (1981), 人民文學出版社
- 王翰, "友石山人遺藳(四庫全書第1217册)" (1983), 臺灣商務印書館
- 王維, "王維全集" (1997), 上海古籍出版社
- 葉夢得, "石林詩話(何文煥, 歷代詩話)" (1982), 中華書局
- 续修四库全书编委会, "續修四庫全書" (2001), 上海古籍出版社
- 薛瑞生, "東坡詞編年箋證" (1998), 三秦出版社
- Yao Dayong, "企齋詞研究: 以自述心志和代人擬作为綫索", 중국학논총, (35), pp.101~120 (2012), 중국학연구소[DOI]
- 嚴可均, "全上古三代秦漢三國六朝文·全後周文" (1958), 中華書局
- 曾昭岷, "全唐五代詞" (1999), 中華書局
- 詹安泰, "李璟李煜詞校注" (2015), 上海古籍出版社
- 张惠民, "宋代词学资料汇编" (1993), 汕头大学出版社
- 張惠民, "宋代詞學審美理想" (1995), 人民文學出版社
- 張炎, "詞源(夏承燾, 詞源注)" (1963), 人民文學出版社
- 張炎, "詞源(續修四庫全書第1733册)" (2002), 上海古籍出版社
- 朱金城, "白居易集箋校" (1988), 上海古籍出版社
- 陶淵明, "陶淵明集(卷六)" (1979), 中華書局
- 陳與義, "陳與義集(卷二六)" (1982), 中華書局
- "韓國古典飜譯院"[URL]