柳永詞와 蘇軾詞의 詞調 比較

Abstract

This paper aims to reveal the literary and musical differences of their works by comparing the two representative writers of Song-ci, Liu-yong and Su-shi. Song-ci is the lyrics of a song that was originally popular during the Song Dynasty. However, as the music has disappeared, Song-ci's research has been focused on literary texts. However, it is highly likely that these studies are too flat and do not properly reflect the actual situation at the time. Therefore, this paper intends to plan a combination of Song-ci's literary and musicality using a tool called Ci-diao. There was a fundamental difference between the Ci-diao of two writers. In other words, Liu-yong-ci's Ci-diao actively accepted new tastes of music and created an independent Ci-diao. On the other hand, Su-shi-ci was active in accepting existing and new music in a balanced way and utilizing existing Ci-diao. In addition, although the 19 Ci-diao used by these two writers were the same, there was a difference in form and content. In other words, in terms of form, Liu-yong reorganized the original Xiao-ling ci-diao into a Chang-diao, and Su-shi rewritten it into a Xiao-ling. In addition, in terms of content, Liu-yong was active in expressing emotions while using the form of a first-person monologue, while Su-shi showed a specialized appearance in developing works for specific opponents or describing objects. Through these results, it was confirmed that Song-ci's music at the time had various channels, and that these musical differences led to literary differences. In the future, it is expected that the comprehensive understanding of Song-ci will be pursued by actively utilizing musical analysis tools including Ci-diao.