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嚴歌苓小說中的移民女性形象

The image of migrant-oriented women in the writing of Yan Geling

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초록

In the subjective experience of the image of migrant-oriented women under the pen of Yan Geling toward their personal life-volition, close attention of this author to the individual awareness of women is implied. Compared with other overseas Chinese writers, Yan Geling has always been attaching importance to the intrinsic disposition of female life. Therefore, while molding the image of migrant-oriented women, she endeavors to explore the self emotions and self-contradictions deep in the soul of women, by turning aside such stereotyped propositions as “the foreordination and fate-resignation of women”. In special overseas life, the homeless and forlorn emotion and life experienced by migrant-oriented women have reinforced the aesthetic force of this novel. Migrant-oriented women under the pen of Yan Geling hold fast to self-consciousness, face human nature directly in reality, or even would not hesitate to turn themselves against stereotypes in order to safeguard their perceptual egos. These contents and profound connotations have endowed the novel with a profound sense of contemporaneity.

Abstract

In the subjective experience of the image of migrant-oriented women under the pen of Yan Geling toward their personal life-volition, close attention of this author to the individual awareness of women is implied. Compared with other overseas Chinese writers, Yan Geling has always been attaching importance to the intrinsic disposition of female life. Therefore, while molding the image of migrant-oriented women, she endeavors to explore the self emotions and self-contradictions deep in the soul of women, by turning aside such stereotyped propositions as “the foreordination and fate-resignation of women”. In special overseas life, the homeless and forlorn emotion and life experienced by migrant-oriented women have reinforced the aesthetic force of this novel. Migrant-oriented women under the pen of Yan Geling hold fast to self-consciousness, face human nature directly in reality, or even would not hesitate to turn themselves against stereotypes in order to safeguard their perceptual egos. These contents and profound connotations have endowed the novel with a profound sense of contemporaneity.

참고문헌 (18)

  1. 嚴歌苓, "扶桑" (2002), 上海文藝出版社
  2. 嚴歌苓, "無非男女" (2003), 花山文藝出版社
  3. 喬以鋼, "中國當代女性文學的文化探析" (2006), 北京大學出版社
  4. 融融, "一代飛鴻:北美中國大陸新移民作家短篇小說精選述評" (2008), 中國文聯出版社
  5. 馬藜, "視覺文化下的女性身體敘事" (2009), 四川大學出版社
  6. 齊紅, "世紀之交的女性寫作" (2009), 安徽大學出版社
  7. 楊麗麗, "曆史上的大移民" (2009), 中國時代經濟出版社
  8. 樊星, "當代文學新視野" (2007), 廣西師範大學出版社
  9. 劉國福編譯, "移民法—國際文件與案例選編" (2009), 中國經濟出版社
  10. 徐鶴森, "民國浙江華僑史" (2009), 中國社會科學出版社
  11. 韓昇, "東亞世界形成史論" (2009), 複旦大學出版社
  12. 林丹婭, "當代中國女性文學史論" (2003), 廈門大學出版社
  13. 陳惠芬, "當代中國女性文學文化批評文選" (2007), 廣西師範大學出版社
  14. 柏棣主編, "西方女性主義文學理論" (2007), 廣西師範大學出版社
  15. 徐豔蕊, "當代中國女性主義文學批評二十年" (2008), 廣西師範大學出版社
  16. 李銀河, "兩性關系" (2005), 華東師範大學出版社
  17. 西蒙那, (2004), 中國書籍出版社
  18. 蘇刪, "女性特質" (2006), 江蘇人民出版社

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