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从“独语”到“对话” ——论中国当代民族文学获取在场性谈论的资格

From monologue to dialogue —— Qn the Qualification of Presence Talking gained by the Chinese Contemporary Ethnic Literature

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Most ethnic regions in China are relatively self‐enclosing and mysterious. But the western culture and ideologies since 1980s has had an immense influence not only on the Chinese contemporary literature of Han, but also the ethnic literature,which is relatively self‐enclosing and has its own independent culture and existence. Surviving in the background of the world context, the ethnic literature has monologue type as well as dialogue type, and both of which are the necessary reality which can not be omitted in their confrontation. The national classic has been forced to exeunt in the world context. The spirit of World ideology is that which the ethnic literature must pursuit without hesitation if it want to gain the qualification of presence talking and be chosen to read by the foreign lands. The world ideology is the highest orientation of construction of contemporary ethnic literature. Chinese Ethnic Literature, the first time ever foreign culture and thought in the West under the influence of modern consciousness produced by the analysis and research, and thereby demonstrate that they possess the unique character of literature and art as well as their unique position art of communication, will be a very meaningful.

Abstract

Most ethnic regions in China are relatively self‐enclosing and mysterious. But the western culture and ideologies since 1980s has had an immense influence not only on the Chinese contemporary literature of Han, but also the ethnic literature,which is relatively self‐enclosing and has its own independent culture and existence. Surviving in the background of the world context, the ethnic literature has monologue type as well as dialogue type, and both of which are the necessary reality which can not be omitted in their confrontation. The national classic has been forced to exeunt in the world context. The spirit of World ideology is that which the ethnic literature must pursuit without hesitation if it want to gain the qualification of presence talking and be chosen to read by the foreign lands. The world ideology is the highest orientation of construction of contemporary ethnic literature. Chinese Ethnic Literature, the first time ever foreign culture and thought in the West under the influence of modern consciousness produced by the analysis and research, and thereby demonstrate that they possess the unique character of literature and art as well as their unique position art of communication, will be a very meaningful.

참고문헌 (9)

  1. 马学良, "梁庭望等主编《中国少数民族文学史" (2001), 中央民族大学出版社
  2. 安纳, "《西方现代文学理论概述和比较》," (1986), 湖南文艺出版社
  3. 涂鸿, "“法规”之外的艺术突围——中国当代民族作家现代主义书写的语言范式" (2009), 社会科学研究
  4. 涂鸿, "超越传统中的诗性追寻——论重庆当代民族文学创作的言说方式" (2008), 民族文学研究
  5. 钱中文, "现实主义和现代主义" (1987), 人民文学出版社
  6. 吴康, "心理类型" (1999), 桂冠图书出版
  7. 梁庭望, "中国少数民族文学概论" (1998), 中央民族大学出版社
  8. Jacqueline De Weever, "Mythmaking and Metaphor in Blick Woman’s Fiction", ~ (1992)
  9. 茨维坦, "俄苏形式主义文论选" (1989), 中国社会科学出版社

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