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李奎報와 陶淵明 詩의 비교문학적 고찰

A Comparative Study in Tao, Yan-ming and Lee, Gyu-Bo's Poetry

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주제분류한국어와문학

초록

Many studies had work on how Tao, Yan-ming's literary works had delivered to our country. But, We suppose that Tao, Yan-ming's works had been conveyed through monks and envoys in the period of Three States by confirming that Munsun, his works composed of 8 poems, had been read by noble man in Korea period and chosen as textbook in Shilla peiod. When So, Dong-pa's works was popular in mid-Korea Period, So, Dong-pa praised him as the best poet in China and wrote 109 poems as a way to appreciate and answer Tao, Yan-ming's literary works. This affect poets in Koryeo period and moreover, many scholars were moved by Tao, Yan-ming's literary works because civil servant were ignored by military officers. Lee, Kyu-bo tried to follow Tao, Yan-ming's thoughts, verse and poems because he always admired Tao' life and personality. Like Tao, Yan-ming's 'returning to nature', Lee recited poems which pursue homecoming after his resignation from a government office. The similarities in works in Tao and Lee, Kyu-bo are as follows. The first is that they grew up in rural community and farming are is their growth background. Therefore, they became interested in poverty but they live in a small way regardless of riches and honor. The second is that they had a longing for 'leaving nature as it is' in a peaceful world like Muhui's and Galcheon's people. The third showed the love for a chrysanthemum in his poem by comparing a mum which sends forth a sweet fragrance till withering with the symbol of a hermit and a noble scholar. The fourth showed the yearning for returning to nature which gave out pure simplicity in their poetic life. Lee, Kyu-bo ideal world was expressed in 'Teacher SamHokho' and he respected Tao' life continuosly. Yet, Lee, Kyu-bo showd the opposite aspect with Tao, Yan-ming in that he had the desire about political power and finally became a high-ranking official because he was expelled by his politcal enemy while Tao consistently tried to pursue a complete hermitage with spontaneous returning to nature.

Abstract

Many studies had work on how Tao, Yan-ming's literary works had delivered to our country. But, We suppose that Tao, Yan-ming's works had been conveyed through monks and envoys in the period of Three States by confirming that Munsun, his works composed of 8 poems, had been read by noble man in Korea period and chosen as textbook in Shilla peiod. When So, Dong-pa's works was popular in mid-Korea Period, So, Dong-pa praised him as the best poet in China and wrote 109 poems as a way to appreciate and answer Tao, Yan-ming's literary works. This affect poets in Koryeo period and moreover, many scholars were moved by Tao, Yan-ming's literary works because civil servant were ignored by military officers. Lee, Kyu-bo tried to follow Tao, Yan-ming's thoughts, verse and poems because he always admired Tao' life and personality. Like Tao, Yan-ming's 'returning to nature', Lee recited poems which pursue homecoming after his resignation from a government office. The similarities in works in Tao and Lee, Kyu-bo are as follows. The first is that they grew up in rural community and farming are is their growth background. Therefore, they became interested in poverty but they live in a small way regardless of riches and honor. The second is that they had a longing for 'leaving nature as it is' in a peaceful world like Muhui's and Galcheon's people. The third showed the love for a chrysanthemum in his poem by comparing a mum which sends forth a sweet fragrance till withering with the symbol of a hermit and a noble scholar. The fourth showed the yearning for returning to nature which gave out pure simplicity in their poetic life. Lee, Kyu-bo ideal world was expressed in 'Teacher SamHokho' and he respected Tao' life continuosly. Yet, Lee, Kyu-bo showd the opposite aspect with Tao, Yan-ming in that he had the desire about political power and finally became a high-ranking official because he was expelled by his politcal enemy while Tao consistently tried to pursue a complete hermitage with spontaneous returning to nature.

참고문헌 (22)

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  12. 崔致遠, "崔文昌侯全集" (1972), 大東文化硏究院
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  15. 李星基, "麗朝詩歌文學에 끼친 陶淵明의 影響硏究", 碩士, pp.1982
  16. 李昌龍, "高麗詩人과 陶淵明", 建國大學校學術誌, 16 (1973)
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  18. 拙稿, "‘桃花源詩幷記’ 創作背景의 硏究", 中國語文學, 39 (2002), 嶺南中國語文學會
  19. 震檀學會, "韓國史" (1977), 乙酉文化社
  20. 胡雲翼, "中國文學史" (1974), 大韓敎科書株式會社
  21. 九思叢書編輯部, "陶淵明硏究" (1977), 九思出版社
  22. 方祖, "陶潛詩箋注校證論評" (1977), 蘭臺書局

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