李奎報와 陶淵明 詩의 비교문학적 고찰
A Comparative Study in Tao, Yan-ming and Lee, Gyu-Bo's Poetry
0
조회
0
다운로드
8
인용
0
참고문헌
키워드
초록
Many studies had work on how Tao, Yan-ming's literary works had delivered to our country. But, We suppose that Tao, Yan-ming's works had been conveyed through monks and envoys in the period of Three States by confirming that Munsun, his works composed of 8 poems, had been read by noble man in Korea period and chosen as textbook in Shilla peiod. When So, Dong-pa's works was popular in mid-Korea Period, So, Dong-pa praised him as the best poet in China and wrote 109 poems as a way to appreciate and answer Tao, Yan-ming's literary works. This affect poets in Koryeo period and moreover, many scholars were moved by Tao, Yan-ming's literary works because civil servant were ignored by military officers. Lee, Kyu-bo tried to follow Tao, Yan-ming's thoughts, verse and poems because he always admired Tao' life and personality. Like Tao, Yan-ming's 'returning to nature', Lee recited poems which pursue homecoming after his resignation from a government office. The similarities in works in Tao and Lee, Kyu-bo are as follows. The first is that they grew up in rural community and farming are is their growth background. Therefore, they became interested in poverty but they live in a small way regardless of riches and honor. The second is that they had a longing for 'leaving nature as it is' in a peaceful world like Muhui's and Galcheon's people. The third showed the love for a chrysanthemum in his poem by comparing a mum which sends forth a sweet fragrance till withering with the symbol of a hermit and a noble scholar. The fourth showed the yearning for returning to nature which gave out pure simplicity in their poetic life. Lee, Kyu-bo ideal world was expressed in 'Teacher SamHokho' and he respected Tao' life continuosly. Yet, Lee, Kyu-bo showd the opposite aspect with Tao, Yan-ming in that he had the desire about political power and finally became a high-ranking official because he was expelled by his politcal enemy while Tao consistently tried to pursue a complete hermitage with spontaneous returning to nature.
Abstract
Many studies had work on how Tao, Yan-ming's literary works had delivered to our country. But, We suppose that Tao, Yan-ming's works had been conveyed through monks and envoys in the period of Three States by confirming that Munsun, his works composed of 8 poems, had been read by noble man in Korea period and chosen as textbook in Shilla peiod. When So, Dong-pa's works was popular in mid-Korea Period, So, Dong-pa praised him as the best poet in China and wrote 109 poems as a way to appreciate and answer Tao, Yan-ming's literary works. This affect poets in Koryeo period and moreover, many scholars were moved by Tao, Yan-ming's literary works because civil servant were ignored by military officers. Lee, Kyu-bo tried to follow Tao, Yan-ming's thoughts, verse and poems because he always admired Tao' life and personality. Like Tao, Yan-ming's 'returning to nature', Lee recited poems which pursue homecoming after his resignation from a government office. The similarities in works in Tao and Lee, Kyu-bo are as follows. The first is that they grew up in rural community and farming are is their growth background. Therefore, they became interested in poverty but they live in a small way regardless of riches and honor. The second is that they had a longing for 'leaving nature as it is' in a peaceful world like Muhui's and Galcheon's people. The third showed the love for a chrysanthemum in his poem by comparing a mum which sends forth a sweet fragrance till withering with the symbol of a hermit and a noble scholar. The fourth showed the yearning for returning to nature which gave out pure simplicity in their poetic life. Lee, Kyu-bo ideal world was expressed in 'Teacher SamHokho' and he respected Tao' life continuosly. Yet, Lee, Kyu-bo showd the opposite aspect with Tao, Yan-ming in that he had the desire about political power and finally became a high-ranking official because he was expelled by his politcal enemy while Tao consistently tried to pursue a complete hermitage with spontaneous returning to nature.
참고문헌 (22)
- 金富軾, "三國史記" (1960), 先進文化社
- 陶淵明, "陶淵明" (1975), 太宗出版社
- 陶淵明, "韓譯 陶淵明全集" (2002), 서울대학교출판부
- 陶潛 撰, "靖節先生集" (1975), 華正書局
- "十三經注疏" (1976), 藝文印書館
- 李奎報, "국역 동국이상국집" (1984), 민족문화추진회
- 李奎報, "韓國詩話選" (1981), 太學社
- 李奎報, "白雲小說(影印本)" (1981), 太學社
- "二十五史" (1975), 鼎文書局
- 鄭麟趾, "高麗史(影印本" (1972), 亞細亞文化社
- 鍾嶸, "詩品" (1975), 開明書局
- 崔致遠, "崔文昌侯全集" (1972), 大東文化硏究院
- 卞鍾鉉, "高麗朝漢詩硏究" (1994), 太學社
- 徐首生, "高麗朝漢文學硏究" (1971), 螢雪出版社
- 李星基, "麗朝詩歌文學에 끼친 陶淵明의 影響硏究", 碩士, pp.1982
- 李昌龍, "高麗詩人과 陶淵明", 建國大學校學術誌, 16 (1973)
- 張鴻在, "高麗時代 詩話批評硏究" (1987), 아시아문화사
- 拙稿, "‘桃花源詩幷記’ 創作背景의 硏究", 中國語文學, 39 (2002), 嶺南中國語文學會
- 震檀學會, "韓國史" (1977), 乙酉文化社
- 胡雲翼, "中國文學史" (1974), 大韓敎科書株式會社
- 九思叢書編輯部, "陶淵明硏究" (1977), 九思出版社
- 方祖, "陶潛詩箋注校證論評" (1977), 蘭臺書局
