Fresco: intangible heritage as a key to unlocking the links between the conservation of biological and cultural diversity in Alamos
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Alamos, Sonora, Mexico contains world-class heritage andis on the tentative list for World Heritage status. Thecolonial architecture in the town centre has been declareda National Historic Monument and a unique eco-system ofincomparable biodiversity and is protected underUNESCO’s network of biosphere reserves. Local indigenousgroups keep alive a wealth of information about practicaland medicinal uses of plant species. External forces threaten the natural, cultural and intangibleheritage of the region. The UNESCO guidelines for identifying and clarifying bioculturaldiversity call for multiple regimes of credibility andan interdisciplinary,holistic approach. This paper exploreslinks between biological and cultural diversity seen throughthe lens of the global intangible tradition called frescopainting. An artist’s perspective identifies previouslyunnoticed connections as well as economic alternatives todestructive land-use patterns, resulting in concreteproposals for the conservation of natural, cultural andintangible heritage in Alamos. Fresco is an ideal model for explaining how an intangibletradition expresses itself and positively impacts on bioculturaldiversity at global, regional and local levels. Themodel answers UNESCO’s call for frameworks andmethodologies for recognising and describing theinterdependence of nature and culture, and leads to anunderstanding of the quantitative value of diversity.
Abstract
Alamos, Sonora, Mexico contains world-class heritage andis on the tentative list for World Heritage status. Thecolonial architecture in the town centre has been declareda National Historic Monument and a unique eco-system ofincomparable biodiversity and is protected underUNESCO’s network of biosphere reserves. Local indigenousgroups keep alive a wealth of information about practicaland medicinal uses of plant species. External forces threaten the natural, cultural and intangibleheritage of the region. The UNESCO guidelines for identifying and clarifying bioculturaldiversity call for multiple regimes of credibility andan interdisciplinary,holistic approach. This paper exploreslinks between biological and cultural diversity seen throughthe lens of the global intangible tradition called frescopainting. An artist’s perspective identifies previouslyunnoticed connections as well as economic alternatives todestructive land-use patterns, resulting in concreteproposals for the conservation of natural, cultural andintangible heritage in Alamos. Fresco is an ideal model for explaining how an intangibletradition expresses itself and positively impacts on bioculturaldiversity at global, regional and local levels. Themodel answers UNESCO’s call for frameworks andmethodologies for recognising and describing theinterdependence of nature and culture, and leads to anunderstanding of the quantitative value of diversity.
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