공간 분위기의 미학적 언어 해석에 관한 연구

Abstract

(Background and Purpose) Atmosphere is a language of everyday expression of ambiguous and subjective feelings, and is currently used in various fields such as art, politics, society, economy, and culture. However, atmosphere as an aesthetic concept has an etymological basis in meteorology. Therefore, it is assumed that the atmosphere used as the category of aesthetics is related to the natural phenomena of the space. The purpose of this study is to help the relational understanding between the atmospheric concept of aesthetics and the meteorological atmosphere by verifying the aesthetic space atmosphere through the conceptual interpretation of the meteorological atmosphere. (Method) The theoretical scope is limited to aesthetics, phenomenology, and meteorology. The method of the study is first, to prove the differentiation and objectivity of research by examining previous domestic studies. Second, the characteristics of the concept of aesthetic atmosphere and an understanding approach are derived by examining foreign prior studies. Third, apply the understanding approach of the concept of aesthetic atmosphere to the interpretation of meteorological atmosphere, and interpret the 'atmosphere' as spatial aesthetics in related spatial art works to test the hypothesis. Forth, the verified contents are comprehensively explained. (Results) First, the concept of atmosphere in aesthetics was understood by approaching it semantically, ontologically and epistemologically through the study of overseas prior researches. Second, the conceptual attributes of meteorological atmosphere were identified as productivity, multiplicity, subjectivity, metaphor, integrity, and vitality. Third, the atmospheric phenomenon of the meteorological atmosphere and the target environment, such as ‘weather, landscape, and fog’were imaged and applied as a pictorial expression technique for aesthetic works, afterwards, it was treated as a subjective object of installation art and discovered that it developed into a work of art itself but with the help of convergence technology. Fourth, it was captured that all the conceptual properties of meteorological atmosphere were linked with the cases of aesthetic spatial works. (Conclusions) Finally, the meteorological concept of 'spatial atmosphere' by the analysis of aesthetic spatial works, is 'a being that emits an atmosphere of its own' through aesthetic spatial work, and at the same time, it was captured that the spectator with is perceived as synesthetically, emotionally experienced, and thought through metaphorical imagination through the interactive relationship with the spectator. Therefore, the hypothesis that the atmosphere of the concept of meteorology as a category of relational aesthetics through natural phenomena of space was borrowed as an aesthetic concept was tested.