이문구 소설에 나타난 생태파시즘의 한 양상 연구

Abstract

This thesis interprets the appearance of Ecofascism seen in Lee Mun-Gun’s novels in 1970s and 1980s and the meaning of its origin. It can be considered that the yearn for the community and the wishes toward city as a ecological space, human and natural order in his novels show his ecological consciousness. In his novels, there were always appeared some farmers leaving from rural villages and a figure who failed, became isolated and felt some anxiety. Additionally, his yearn for utopian space where the order, the ethic, the empathy and nature are united into one was repeatedly appeared in his novels. The noticable thing is the fact that he idealized the community based on such ‘Natural Order’ or ‘Natural Law’ as the ideal place and the all efforts to adapting the all social relationships to the ideal community could be led to the logics of authoritarianism, totalitarianism, and furtherer the imperialism’s fascistic logic. Seen from the social-ecological viewpoint considering the relationship between the human and the Nature would be determined by a social structure and a social process, Lee Mun-Gu’s anti-modern or conservative position has clearly the potential to be interpreted as his eco-fascistic signs. However, in that he reproduced the abusive, oppressive real life being contained in group, society, systems and policies in 1970s while his process describing that the agricultural order was destroyed due to the modernization and the industralization and the farmers lost their hometowns as their resting places longed for the community life before the industrialization, he paradoxically revealed the risk of eco-fascism by himself.