한국 대중가요의 자연표상 방법과 의미
A Study on the Methods and Meanings of Natural Representation in Korean Popular Songs
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
This study set out to investigate the expressions of nature in popular songs and their effects, thus confirming the artistic values of natural representation. The study set three ways that nature was represented in popular songs and examined their effects. When nature was presented as realistic nature in popular songs, the sentiment of the speaker would expand and get reinforced. When the speaker felt happy, nature would feel familiar and reinforce the happy feeling. When the speaker was in sorrow, nature would serve as the device to maximize the feeling. It is because nature expressed as realistic nature tries to achieve unity and harmony with the speaker by forming object-like relationships with him or her. When nature was presented metaphorically in popular songs, the sameness between the two subjects would work to convey the emotion of the speaker very effectively. The sameness of metaphor is highly significant in that it is based on the sameness between man and nature. When personification was employed, natural objects would feel more familiar and reflect the psychology of the speaker trying to conform to the circulatory order of nature. The symbolic expressions of nature in popular songs can be divided into allegory based on one-on-one correspondence and symbolism generating various meanings. Nature expressed in the technique of allegory would deliver an important message from the speaker’s emotion and attitude in many cases. Nature expressed in the technique of symbolism would imply various meanings and overcome the cliche popularity of popular songs. The symbolic expressions of nature are very effective for taking the grade of popular songs by a notch by expressing real issues with very artistic lyrics.
Abstract
This study set out to investigate the expressions of nature in popular songs and their effects, thus confirming the artistic values of natural representation. The study set three ways that nature was represented in popular songs and examined their effects. When nature was presented as realistic nature in popular songs, the sentiment of the speaker would expand and get reinforced. When the speaker felt happy, nature would feel familiar and reinforce the happy feeling. When the speaker was in sorrow, nature would serve as the device to maximize the feeling. It is because nature expressed as realistic nature tries to achieve unity and harmony with the speaker by forming object-like relationships with him or her. When nature was presented metaphorically in popular songs, the sameness between the two subjects would work to convey the emotion of the speaker very effectively. The sameness of metaphor is highly significant in that it is based on the sameness between man and nature. When personification was employed, natural objects would feel more familiar and reflect the psychology of the speaker trying to conform to the circulatory order of nature. The symbolic expressions of nature in popular songs can be divided into allegory based on one-on-one correspondence and symbolism generating various meanings. Nature expressed in the technique of allegory would deliver an important message from the speaker’s emotion and attitude in many cases. Nature expressed in the technique of symbolism would imply various meanings and overcome the cliche popularity of popular songs. The symbolic expressions of nature are very effective for taking the grade of popular songs by a notch by expressing real issues with very artistic lyrics.
참고문헌 (32)
- 편집부, "개정판 가요반세기" (2012), 아름출판사
- 편집부, "트로트 가요 대백과" (2011), 아름출판사
- 편집부, "통기타 포크송" (2010), 아름출판사
- 한국가요강사협회, "한국인이 즐겨 부르는 인기가요 500" (2011), 예솔
- 강연진, "한국 근대 대중가요 형성 과정 연구", 석사, 국어국문학, pp.2002
- 권혁웅, "시론" (2010), 문학동네
- 김문주, "한국 근대시의 자연 형상과 전통적 성격", 한국시학연구, (16), pp.107~133 (2006), 한국시학회
- 김소희, "근대 대중가요 노랫말 연구 : '고향'을 중심으로", 석사, 국어교육, pp.2010
- 김영준, "한국 가요사 이야기" (1994), 아름출판사
- 김우열, "트로트의 향수양상과 애창곡 주제연구", 석사, 국어교육, pp.2007
- 김욱동, "한국의 녹색문화" (2000), 문예출판사
- 최은숙, "20세기 전반기 대중가요 담론의 쟁점과 의의", 한국민요학, 21, pp.275~306 (2007), 한국민요학회
- 김익두, "한국 대중가요 연구사 검토", 공연문화연구, (24), pp.5~45 (2012), 한국공연문화학회
- 김혜경, "1970년대 포크송 주제 연구", 석사, 국어교육, pp.2004
- 민경찬, "한국 근대음악과 ‘고향’", 한국문학연구, (30), pp.75~99 (2006), 한국문학연구소
- 서영희, "조명암의 대중가요 가사에 나타난 고향의식", 한민족어문학(구 영남어문학), (64), pp.401~430 (2013), 한민족어문학회
- 손정삼, "한국 대중가요에 등장하는 지명 분석", 석사, 지리교육, pp.2008
- 신문수, "자연 체험의 중요성 : 갈색 도시 환경과 청소년의 인성 발달", 문학과환경, 8(2), pp.111~140 (2009), 문학과환경학회
- 윤여탁, "일제 강점기 대중 가요의 문학적 연구 : 유성기 음반 채록본을 중심으로", 국어국문학, 122, pp.257~258 (1998), 국어국문학회
- 이동순, "민족시의 정신사" (1996), 창작과비평사
- 이동순, "한국대중가요사", pp.25~ (2009), 민속원
- 이동순, "한국 대중가요사의 동력과 세대 간 양식·취향 갈등", 대중음악, 11, pp.36~ (2013)
- 이인모, "문체론" (1968), 이우출판사
- 장유정, "오빠는 풍각쟁이야 : 대중가요로 본 근대의 풍경" (2006), 민음in
- 장유정, "한국 대중음악사 기술을 위한 기초 작업 : 몇가지 쟁점을 중심으로", 대중음악, 1, pp.78~ (2008), 한국대중음악학회
- 장유정, "근대 대중가요의 매체와 문화" (2012), 소명출판
- 장유정, "근대 대중가요의 지속과 변모" (2012), 소명출판
- 조동일, "한국문학통사" (1994), 지식산업사
- 조윤동, "대중가요 가사분석을 통한 한국인의 정서 탐색 : 해방이후부터 1996년까지의 가요를 대상으로", 석사, 문화사회심리학, pp.2001
- 최수랑, "대중음악의 역사적 고찰과 발전 방안 연구", 석사, 실용음악, pp.2011
- 최호영, "김수영 시에 나타난 자연인식과 미학적 변주", 문학과환경, 9(1), pp.145~168 (2010), 문학과환경학회
- 다카기진자부로, "지금 자연을 어떻게 볼 것인가" (2006), 녹색평론사
