포스트 코로나 시대 디지털 문화예술 정책과제의 쟁점과 방향성: 국제기구 정책 담론과 국가정책 사례를 중심으로
Key Issues and Future Trends of Digital Cultural Policy in the Post-Pandemic Era
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초록
세계경제포럼에서 4차 산업혁명이 언급되면서 디지털화(digitalization)와 디지털 전환(digital transformation)에 대한 문화정책 어젠다 수립의 필요성이 대두되었다. 이후 코로나19 팬데믹의 영향으로 개인의 삶과 사회 전반이 온라인으로 빠르게 이동하면서 문화예술계에서도 디지털 환경에 적합한 정책과제 및 실행안 모색과 논의가 가속화되었다. 이러한 시대적 흐름과 필요에 따라 본 논문은 해외정책이전(cross- national policy transfer)의 개념(Dolowitz & Marsh, 2000)에 근거하여 해외정책사례 분석을 통해 주요 정책과제 도출 및 쟁점을 탐색하는 데 목적을 두었다. 우선 OECD와 UNESCO가 제시하고 있는 문화예술․창의산업 정책 담론을 고찰하고, 영국과 캐나다의 디지털 문화정책을 중심으로 국가별 사례분석을 시행하였다. 세계경제포럼에서 발표한 ‘디지털 전환(digital transformation)에 따른 사회․경제적 변화와 기회 모형’을 분석틀로 삼아 국제기구와 국가별 문화예술 분야의 정책과제와 방향성을 분석한 결과 지속가능한 경제적 발전 모색과 문화다양성 확보가 주요 쟁점으로 도출되었다. 불확실성과 경계의 모호성이 특징인 디지털 환경에서는 영역의 구분을 초월한 네트워킹과 협업, 연구개발(R&D)과 실험적 시도 기회 지원, 새로운 비즈니스 모델의 개발, 그리고 이해관계자의 디지털 역량 강화 등이 정책과제이자 지향해야 할 방향으로 드러났다.
Abstract
Digital transformation has become a vital concept in many global agendas ever since Klaus Schwab discussed the Fourth Industrial Revolution at the 2016 World Economic Forum. The digital surge during the COVID-19 pandemic has induced more significant impacts on every facet of our society and has imposed countering policy measures on policymakers and governments to cope with the crisis. This research aims to identify the current trends and issues of cultural policies in the digital environment at a global level. By adopting the conceptual framework of cross-national policy transfer (Dolowitz & Marsh, 2000) and three opportunities to drive purpose-led digital transformation (World Economic Forum, 2020), this study engages with a qualitative research design by conducting document analysis based on policy reports and international policy cases published by the Organisation for Economic Co-operation and Development and United Nations Educational, Scientific and Cultural Organization. Additionally, the authors have selected two countries for their case study, Canada and the UK, to review their digital cultural policy plans that were initiated before the pandemic and were well-received. This research suggests that, while the arts and creative sectors should adapt to the new digital environment from technologies to business models, potential inequalities, such as cultural representations and market-oriented consumptions, must also be monitored and prevented. For sustainable development of the arts and cultural domain, public agencies also need to invest and promote innovative collaborations and networking and experimental arts projects and research. Further, they must develop new business models for arts and creative organizations with more open and user-driven policy measures.
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