朝鮮 科試의 箴銘頌 硏究

Abstract

This paper attempted to clarify its meaning by checking the overall three Zhenmingsong(箴銘頌) styles in Gwegeo(科擧) during the Joseon Dynasty. Zhenmingsong was stipulated in the Joseon Dynasty law that it could be set a question in Mungwa Chosi(文科初試), Jeonsi(殿試), and Jinsasi Chosi(進士試初試), but it was not set at all in Mungwa Chosi and Jinsasi Chosi, and all current materials were set in Mungwa Jonsi. Regarding Zhenmingsong questions, various discussions were mainly submitted in the late Joseon Dynasty, and the need for various styles emerged as one of the ways to diversify successful applicants and select competent talents. In particular, during King Sukjong's reign, the need to set Zhenmingsong questionsin Gwageo was raised as it was criticized for focusing on Pianliwen(騈儷文). However, on the other hand, several arguments have been raised about the possibility that Zhenmingsong is relatively easy to write because it is shorter than other styles, and this may lead to people passing by luck despite their lack of competence. When statistics are compiled by compiling Zhenmingsong question cases that were set in Gwageo of the Joseon Dynasty, it can be seen that the proportion of Zhenmingsong questions increased toward the late Joseon Dynasty. It is believed that the internal factor of diversification of style and the social problem of the late Joseon Dynasty, the disturbance of the system, played a role in this. In terms of Zhenmingsong itself, the ratio of Zhenmingsong questions was popular in the order of Song→Zhen→Ming depending on the period, and in the case of Song and Zhen, it was mainly set in irregular Gwegeo. In terms of the total ratio, Ming accounted for the majority, and the proportion of questions was overwhelmingly high. In particular, Ming is meaningful as an example of the situation in which the Gwageo system in the late Joseon Dynasty was gradually collapsing, with frequent questions on the theme of royal buildings and many overlapping questions.