서정시의 위상적 해석 방법 -백석의 「모닥불」을 중심으로-

Abstract

The greatest attraction of poetry is the versatility of interpretation. It was common to see that polymorphism comes from ambiguity and uncertainty. Social and cultural communication is rapidly changing from genre to media. Contents that fit the characteristics of media such as videos, photos, and texts are requested. It is difficult to actively respond to changes in the speed and phase required by the media with the multipurpose based on the ambiguity and uncertainty that the poetry had previously pursued. The possibility of “clear multi-uidity” and “definite multi-uidity” as new multi-uidity was explored through Baek Seok’s Bonfire. The topology of poetry was divided into 'plotting', 'lyrical story', and 'the phase of poetry'. Bonfire forms two topological spaces. There is a topological space in which a bonfire that exudes light and warmth opens up as it extinguishes with ashes. Things that have gone through all kinds of stories burn here. The topological space opened by people surrounding the bonfire is another. People who have their own stories stand as a space between light and darkness, warmth and cold air. It is necessary to follow the work of reading Bonfire through more diverse criticism discourse. This is not for criticism. Interpretations form part of the topological interpretation. It is hoped that the new oriented versatility explored in Baek-seok's poems can be a way to evaluate the aesthetic value of lyric poetry.