백석의 初期詩에 나타난 換喩的 발상과 表現 연구 －「여우난곬族」 중심으로－

Abstract

The purpose of this paper is to revile Baek Seok's metonymical expressions; while what roles did it and what it meant at Baek Seok's poems from form and matter. Until these days, It is believed that Baek Seok's poetic-space was to discribe as both his sweet hometown, and tradition. This usually bring to a conclusion that Baek Seok’s poems pursue yearning of lost hometown and establishing national identity. However, another aspect which understands Baek Seok’s poems differently in the density of metonymical expression and relationship with other poetic expressions in his works strongly appears. Baek Seok is a poet who explore his unique style under Modernism novel authors similar to Proust, and James Joyce. He explored his own ontological searching passing his main period of writing. Such a stylish writter he was, and his work was sub-categorized into two; in the beginning, he wrote through the spatial-metonymical expression but soon transformed to the chronological-metonymical expression. In his poem, metonymy isn't just a simple rhetorical device. It is rather mainly poetic creation power for ontological searching as the ‘expression-machine' so that this could lead out his entire poetry. In his poem, metonymy is shown by repetition, enumeration, listing, and expatia- tion, works on many piled background worlds, and is revealed by meto- nymical expression of sensuous symbols. We will look into 「Younangolsjok」, the first major work in his first collection poem 『Sasum』 for spatial metonymy world. First, 「Youn- angolsjok」 contains worldly festivals, feminine point of view of love it self, and various types of food. All the above elements co-exist with his sensory universe. Using his spatial metonymical style, he then create massive search for his identity as a poet through chaotic, yet empty space. Baek Seok's metonomical expression was great example of the poetic style in Deleuze' literature theory. In his poem, metonomical expression was creating a foundation for his ontological searching; while recreating a rather living ‘present progressive-past'. Such poetic creation power of metonomical expression was conducted by spatial metonomical expression in the early stage, later it was transform into chronological-metonomical expression that, finally, was making a period mark on his search for existence as a man.