근대 초기 서사 텍스트의 저작, 번역, 번안 개념에 관한 고찰 - 근대 초기 신문연재소설을 중심으로

Abstract

Early modern writers' recognition for the concept of translation or adaptation was flimsy, so has authored comprehensively to obscure the boundary. Indicators such as 'written by', 'translated by' and 'adapted by' was not considered as the target of an aggressive interpretation until now. In this paper, I noted the way how the early modern adaptation of newspaper serials referred to the author. For several years in the early 1920s, the concept of authoring, translating and adapting was raised to the agenda for discussion, obtained direction by gradual agreement. Especially the concept of adaptation is ambiguous itself, before and after this period reveals subtle differences in the patterns. The first example of serial fiction using 'adapted by' is found in Maeilsinbo, 1922. In so-called the era of adaptation, there was not the word, adaptation. The consciousness of adaptation which is separated from translation existed, but the boundaries of original and adaptation remained ambiguous. After 1922, serial authors wrote an additional mark of 'translated by' or 'adapted by' behind the pen name in many cases. Writers was beginning to recognize the concept of adaptation Which is different from creative work. After only a few years,the aspect that each medium inscribe 'adapted by' was generalized. The recognition of writers about the originality has been established.