평양 경관 수용 가사의 문예적 실상 고찰 -<기성별곡>과 <대동별곡>을 중심으로-

Abstract

This paper first briefly looked at the current status of the Gasa that included the landscape of Pyongyang by dividing them into Gwanyugasa and Gihaenggasa. In addition, the literary reality of <Giseongbyeolgok> and <Daedongbyeolgok>, which sing only the landscape of Pyongyang, was investigated in terms of the composition of work, expression, writing style, and the author's consciousness expressed in the works. <Giseongbyeolgok> is a Gwanyugasa work written by Kim Jae-chan in the fall of 1795 after touring the scenery of Pyongyang as a provincial governor of Pyongan Province. It has a total of 203 units and is composed of 3 big paragraphs and 14 sub-paragraphs. The author enhances the lyricism of the work by appropriately embodying the emotions triggered by the scenery throughout the work. Among the rhetorical methods used in this Gasa work, the most notable rhetorical method is citation, and the influence of <Gwandongbyeolgok> is significant. The author expresses pride in Pyongyang's history, but also reveals a sense of impermanence as time passes. In addition, the author expresses the consciousness of an official who governs the people throughout the work, and conveys Pyongyang and its scenery based on geographical awareness based on the shape theory of the wind and water language, albeit in a simple way. <Daedongbyeolgok> is a work of Gwanyugasa with a total of 174 units and an unknown author and date of creation. It consists of 3 big paragraphs and 5 sub-paragraphs. The author created his work after experiencing boating on the Taedong River in Pyongyang in the fall. The author put a lot of effort into changing the expression when developing the story. In terms of rhetoric, like <Giseongbyeolgok>, attention is paid to citation, and among them, <Gwandongbyeolgok> is also an influence. The author shows extreme pungryu orientation and Taoist awareness in his works. In addition, the interest in Pyongyang's history is expressed. Meanwhile, as seen earlier, it is noteworthy that <Giseongbyeolgok> and <Daedongbyeolgok> are works created under the great influence of <Gwandongbyeolgok> in terms of rhetoric. Through this, we can once again realize the magnitude of the literary impact that <Gwandongbyeolgok> had on later Gasa works.