송강 <관동별곡> 독해의 새 시각 모색

Abstract

When we read analytically the Songgang's <Kwandongbaelgok> we can notice one pattern: the parts stating movement between spaces are terse and colorless whereas the others stating the interests of the persona are talkative and ornate. This study had an eye about the repetition of such style and put stress on the 3 topics. First is to grape the prototype of coherent writing. Second to demonstrate such pattern and lastly to examine the significance of such appearance in the history of korean literature. At the Kwandongbaelgok two styles shown different figures of speech, that is, to narrate the journey and to emit the interests of the persona, are cyclically repeating. If we look for the ground we can easily evoke the ancient traveller's literal practice which is dual style, one is the narration of movement between pavilions and to emit lengthily his affection is another. Many agreements are found out between to emit the interest of traveller and the chinese poetry and prose gathered in the Shinjung Tonggukyejisungnam through the working of comparison. We think Songang converts the ancient literary men's achievements to the style of Gasa in terms of many literary devices. As a result this paper need to newly evaluate Songang and his Kwandongbaelgok in the Korean literary history.