삼국 이야기 속 赤壁大戰 서사의 변용 양상

Abstract

The story of the Three Kingdoms is a familiar one in our lives, with many different characters and events that make up the narrative. The most familiar narrative of the Battle of Red Cliffs to people began with a history book, Since then, it has been transformed into works such as The Popular Stories of the Three Kingdoms and Romance of the three kingdoms and has emerged as a creative material. Therefore, the text focused on the structural changes and aspects of the Battle of Red Cliffs narrative in the Three Kingdoms story that have changed with the times. To analyze this process of change, we looked at the historical books The History of the Three Kingdoms, Comprehensive Mirror to Aid in Government and the literary works The Popular Stories of the Three Kingdoms, Romance of the three kingdoms. First of all, the Battle of Red Cliffs in history books has a relatively flat narrative structure compared to literary works with hyperbole and multiple narratives. In The History of the Three Kingdoms, ‘Wu Shu(吴书)’is the most active in expressing the Battle of Red Cliffs, while in ‘Wei Shu(魏书)’, it is reduced and passive because it was a defeated war. In addition, in Comprehensive Mirror to Aid in Government, it was found that the emotional part and record of the character were more detailed than the The History of the Three Kingdoms of Chen shou. Second. The narrative structure of the Battle of Red Cliffs in literary works shows a three-dimensional narrative structure that is rich in narrative through the fusion of the author’s imagination and the era. In The Popular Stories of the Three Kingdoms the characters of the Battle of Red Cliffs narrative are given new personalities, and the characters of ‘Huo Gong(火攻)’ and Zhuge Liang begin to be emphasized. Since then, in Romance of the three kingdoms, Zhuge Liang has been deified, and Zhou Yu has been denigrated. In addition, the author’s imagination combined with the narrative of the Battle of Red Cliffs, and the narrative of ‘Huo Gong(火攻)’ emerged as a visual, auditory, and sensory expression, which is a rich and three-dimensional expression, providing readers with a colorful spectacle. The narrative of the Battle of Red Cliffs in the Three Kingdoms story was only a historical record of the time, but as it was later reimagined as a literary work, the expression of characters and events changed, reflecting the creator’s intentions and the times. In the end, it is still used as a fixed narrative of Battle of Red Cliffs even in modern times.