이시카와 준(石川淳)의 「おとしばなし清盛」 연구 - 『헤이케모노가타리(平家物語)』의 근대적 재생산의 의미를 중심으로 -

Abstract

Jun Ishikawa’s “Ohtogibanashi Kiyomori” is skillfully weave a few stories of “Heike Monogatari” create a new story. There is a projection of the people living life after war. Most of Ishikawa’s work is the Bible, classics, children’s literature as a parody of the work of the Authority. Satirical parody of his authority, rather than for the purpose of criticism through a parody of the classic and the purpose of describing the projection and representation of the real world. Within its negative and positive for the current appears to cross it indicates how the report gave a grim post-war Japanese society Ishikawa. Established in the 14th century, “Heike Monogatari” medieval, early modern reproduction through a variety of genres and formats, ranging from the modern era, have been a parody. Classic has the universality that can be accommodated at any time. “Heike Monogatari” have shown in this paper is the contemporary aspect of front and rear projection. Each of the works that are disorganized, has a period at the end of the common traits that features such as post-war backdrop of turmoil. This classic work is to analyze the universal, which is one of the features that are housed in modern times.