『헤이케모노가타리』의 재생산 양상 고찰－슌칸과 기요모리 관련 작품을 중심으로－

Abstract

Classical literature has continued to be reproduced to be various aspects. The methods are simple but several aspects also complexly appear. Especially, new interpretations have been done as various viewpoints newly appear in case of the stories with actual records and historic events. This paper studied two aspects of alternation focusing on 『Heikemonogatari』 to be established in the 13th century. One is the narrativization of the blank that is not described in history books or works of art. The Shunkan tale describes Shunkan who was exiled to Gikaigazima Island by participating in a conspiracy and met his death alone after than. In medieval Yogyoku 「Shunkan」, 『Heikemonogatari』 was faithfully reproduced. And for Shunkan who was left alone in modern times and recent times, the several stories about how Shunkan has lived in the island has appeared. Especially after recent times, writers’ values and though have begun to be added. So in 「Shunkan」 by Gurada Hakujo, the writer alleviated his tragedy and sufferings through Shunkan. Akutagawa Ryûnosuke, the writer tells about the differences of the viewpoints between himself and other persons that he realized after traveling to China. They created new stories and changed Shunkan’s figure by utilizing the blank which was not described in the historic books and 『Heikemonogatari』. The other is reinterpretations of Tairano Kiyomori who are enclosed in a frame called a bad person in 『Heikemonogatari』. 『Heikemonogatari』 defines Kiyomori as the root of evil that cannot help being destroyed and must be destroyed from the beginning of the work of art. Considering the points that the Kiyomori-themed works of art never appeared before modern times. Kiyomori’s frame of the evil in 『Heikemonogatari』 can be found to be strong. As new interpretations about Kiyomori in 『Heikemonogatari』 appeared after modern times, there have been a lot of works of art that focus on him. 「Tairano Kiyomori」 by Yamada Bimyo explains his desires for power and growth focusing on his adolescence. 『Kiyomori and Hotokegozen」 by Mushakoji Saneatsu explains and rebuilds Kiyomori’s personality through Gio and Hotoke. This paper studied several works of art as the examples focusing on two materials. The methods of the aspects of reinterpretations and alternation of classical literature more complexly appear. A lot of social factors with change of writers and readers are hidden in the materials that are frequently borrowed transcending time and the materials that are not influenced by trends and are not borrowed any more. The studies on alternation aspects of classical literature are meaningful in that the changing times with vitality of works of art can be found through them and its role in the 21st century can be examined.