창작발레 안무의 문학적 해석과 이미지 연구: 앙젤랭 프렐조카주 작품을 중심으로

Abstract

In this study, the first step in finding a methodology for creative ballet choreography is to define literary interpretation power, and the literary interpretation power attempted from an hermeneutic point of view is the process of newly discovering what to create as the first ability required by the choreographer. Therefore, the conceptual provisions of literary interpretation of this process were presented, and the subject and composition process in new discoveries and images were presented through case analysis of Angelin Prelezocaju's works. As a result of the study, the first literary interpretation required for choreographers defines the ability to self-understand 'something' to be created as an expression of symbols and images, and second, the choreographer structured his own new story in this process In conclusion, the literary interpretation of creative ballet appears as the analytical thinking and expression process of symbols and images of movement, and the new discovery and communication image of choreography was evaluated as the capacity for creative activities of art.